BEETHOVEN'S WORKS BY TYPE
Compiled by Gary D. Evans
Last Updated:
March 28, 2019 6:23 AM
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SYMPHONIES AND OVERTURES
IDENT
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TITLE / INFORMATION
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DATE
Begun |
DATE
Completed |
MISC. INFO
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SYMPHONIES
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Op 21 | Symphony #1 in C | [To Baron van Swieten] | ||
Op 36 | Symphony #2 in D | [To Prince Lichnowsky] | ||
Op 55 | Symphony #3 in Eb (Sinfonia Eroica) | [To Prince Lobkowitz, org. Napoleon] | ||
Op 60 | Symphony #4 in Bb | Comp. summer 1806; Commissioned for Count Oppersdorff, paid 500 fl. | ||
Op 67 | Symphony #5 in c (Fate) | [To Prince Lobkowitz and Count Razumovsky] | ||
Op 68 | Symphony #6 in f (Pastoral) | (Spring-Summer1808) [To Prince Lobkowitz & Count Razumovsky] | ||
Op 92 | Symphony #7 in A | To Count Fries] | ||
Op 93 | Symphony #8 in F | [No dedication] | ||
Op 125 | Symphony #9 in d (Choral Symphony) | [To King Friedrich Wilhelm III of Prussia] | ||
Op 91 | Victory of Wellington in Eb | (composed summer-early autumn 1813) [To Prince Regent] | ||
Hess 108 | Original version for Maelzel's panharmonicon of op. 91 | Second part ["Siegessymphonie"] | ||
No Class. | Symphony in C | [Incomplete] | ||
No Class. | Symphony #10 in Eb | [Incomplete] | ||
OVERTURES
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Op 138
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Leonora 1 in C | |||
Op 72a
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Leonora 2 | |||
Op 72b
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Leonora 3 | |||
Op 72c
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Fidelio | |||
Op 62
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Coriolan in c | Ded. To Heinrich Collin, author of tragedy it is based on. | ||
Op 84
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Egmont | |||
Op 115
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Zur Namensfeier | Ded. To Prince Radziwill | ||
Op 113
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Die Ruinen von Athen (Ruins of Athens) | |||
Op 124
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Die Weihe des Hauses (Consecration of the House) | |||
Op 117
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König Stephan (King Stefan) | |||
Op 43
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Creatures of Prometheus | |||
WoO 1
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Ritterballett | |||
NC
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Overture on B-A-C-H | [Incomplete] | ||
CONCERTI
IDENT
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TITLE / INFORMATION
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DATE
Begun |
DATE
Completed |
MISC. INFO
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PIANO
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Op 15
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Piano Concerto #1 in C |
c. 1795
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[To Princess Barbara Odescalchi] | |
Op 19
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Piano Concerto #2 in Bb |
c. 1801
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[To Carl Nicklas Edler van Nickelsberg] | |
Op 37
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Piano Concerto #3 in c | [To Prince Louis Ferdinand of Prussia [redisc. in Poland after WWII] | ||
Op 58
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Piano Concerto #4 in G |
c. 1804
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[To Archduke Rudolph | |
Op 61
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Piano Concerto in D | arrangement of the Violin Concerto in D) Ded. To Julie von Breuning. | ||
Op 73
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Piano Concerto #5 in Eb (Emperor) | |||
WoO 4
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Piano Concerto in Eb |
c. 1784
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Only the piano part w/ orchestral cues survives. | |
Hess 15
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Piano Concerto #6 in D | Incomplete | ||
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VIOLIN
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Op 61
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Violin Concerto D | |||
WoO 5
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Concerto Movement in C for Violin | Ded. Gerhard von Breuning | ||
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OTHER INSTRUMENTS
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Op 56
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Concerto for Piano, Violin & Cello in C (Triple Concerto) | [To Archduke Rudolph] | ||
Hess 12
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Oboe Concerto in F | |||
NC
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Triple Concerto in D | [Incomplete, ? instruments] | ||
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MISCELLANEOUS ORCHESTRA
IDENT
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TITLE / INFORMATION
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DATE
Begun |
DATE
Completed |
MISC. INFO
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Op 40 |
Romance for Violin and Orchestra Accomp. in G |
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Op 50 | Romance for Violin and Orchestra Accomp. in F, | |||
WoO 2 | Two orchestral pieces for Tarpeja: Triumphmarsch in C and Introductory to Act II in D | |||
WoO 6 | Rondo for Piano and Orchestra in Bb | [Was probably original finale to op.19] | ||
WoO 58 | 2 Cadenzas, (on Mozart's Piano Concerto K466,mvmnts 1&3) | [For pupil Ferdinand Ries] | ||
Hess 13 | Romance for flute, bassoon, piano and orchestra in e | |||
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CHAMBER MUSIC - MISC
IDENT
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TITLE / INFORMATION
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DATE
Begun |
DATE
Completed |
MISC. INFO
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DUETS
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WoO 32
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Duet for Violin and Cello in Eb | |||
WoO 26
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Duet for Flutes, Allegro & Minuet |
8/1792
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WoO 27
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3 Duets for Clarinet & Bassoon, #1in C, #2 in F, #3 in Bb | |||
WoO 34
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Duet in A for 2 violins |
4/1822
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TRIOS FOR PIANO
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Op 1 #1
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Trio for Piano, Violin and Cello #1 in Eb | |||
Op 1 #2
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Trio for Piano, Violin and Cello #2 in G | |||
Op 1 #3
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Trio for Piano, Violin and Cello #3 in c | |||
Op 70 #1
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Trio for Piano, Violin and Cello #4 in D "Ghost Trio" | |||
Op 70 #2
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Trio for Piano, Violin and Cello #5 in Eb | |||
Op 97
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Trio for Piano, Violin and Cello #6 in Bb "Archduke" | |||
WoO 39
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Trio for Piano, Violin and Cello #8 in Bb Allegretto | |||
WoO 38
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Trio for Piano, Violin and Cello #8 in Eb |
c. 1791
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Op 44
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Trio for Piano, #9 in Eb (14 variations) |
c. 1792
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Op 121a
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Trio for Piano, Violin and Cello #10 in G | (Var's on "Ich bin der Schneider", by Kakadu), () | ||
Op 11
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Trio for Clarinet in Bb | Ded: Countess Maria Wilhelmine von Thun | ||
Op 38
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Trio for Piano, Clarinet or Violin and Cello in Eb | arrangement of Septet op. 20 | ||
WoO 37
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Trio Concertante in G for Flute, Bassoon & Piano, | |||
Op 36
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Trio for Piano | [arrangement of Symphony #2 in D] | ||
Op 63
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Trio for Piano, Violin and Cello in Eb | **Arranged by unknown person. | ||
Hess 48
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Allegretto in Eb for Piano, Cello, and Violin | |||
NC
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Trio for Piano in f | [Incomplete] (not classified) | ||
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TRIOS FOR OTHER INSTRUMENTS
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Op 3
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String Trios in E | |||
Op 25
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Serenade for Flute, Violin and Viola in D | |||
Op 8
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Serenade for Viola, Violin and Cello in D | |||
Op 9 #1
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Trio for Strings in G | |||
Op 9 #2
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Trio for Strings in D | |||
Op 9 #3
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Trio for Strings in c | |||
Op 87
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Trio for Winds in C |
c. 1795
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Hess 29
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Prelude and Fugue in e for 2 violins and cello | |||
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STRING QUARTETS
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Op 18 #1
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Quartet #1 in F, "Lobkowitz Quartet" |
8/1798
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Op 18 #2
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Quartet #2 in G, "Lobkowitz Quartet" | |||
Op 18 #3
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Quartet #3 in D, "Lobkowitz Quartet" | |||
Op 18 #4
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Quartet #4 in c, "Lobkowitz Quartet" | |||
Op 18 #5
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Quartet #5 in A, "Lobkowitz Quartet" | |||
Op 18 #6
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Quartet #6 in B, "Lobkowitz Quartet" | |||
Op 59#1
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Quartet #7 in F, "Razumoviskij" quartets | |||
Op 59#2
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Quartet #8 in e, "Razumoviskij" quartets | |||
Op 59#3
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Quartet #9 in C, "Razumoviskij" quartets | |||
Op 74
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Quartet #10 Eb, Harp quartet | Ded to Prince Lobkowitz | ||
Op 95
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Quartet #11 f | Ded to Nikolaus Zmeskall | ||
Op 127
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Quartet #12 E | |||
??
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Quartet in F | (Arranged from Piano Sonata in E, op. 14 #1) | ||
Hess 36
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String quartet |
c. 1798
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arr. of the fugue from Overture to Handel's Solomon | |
Hess 38
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String quartet | arr. of Bach's Fugue in bb from Book 1 of the '48' | ||
Op 130
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Quartet #13 B | Ded to Prince Nikolas Galitzin | ||
Op 131
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Quartet #14 c# | Ded to Baron Joseph von Stutterheim | ||
Op 132
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Quartet #15 a | Ded to Prince Nikolas Galitzin | ||
Op 135
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Quartet #16 F, "Serious" | after Sonata, op. 14 #1; 1st perf. 3/23/1828; Ded to Johann Wolfmayer; Theme of 3'd movement originally assoc. w/ finale of op. 131 | ||
Op133
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Quartet B | (Grosse Fuge, originally the finale in op.130) | ||
Hess 30
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Prelude & Fugue in F & C for 2 violins, 1 viola and 1 cello | |||
Hess 34
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String Quartet in F, (Arranged from Piano Sonata in E, op. 14 #1) | |||
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QUINTETS
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Op 16 #1
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Quintet for Piano, Oboe, Clarinet and Bassoon in Eb |
5/1796
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7/1796
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Op 16 #2
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Quintet for Piano, Oboe, Clarinet and Bassoon in Eb |
5-7/1796
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Op 29
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Quintet for Strings in C | Ded to Count Fries | ||
Op 4
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Quintet for Strings in Eb | Recomposition of Octet op. 103 | ||
Op 104
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Quintet arr. of Piano Trio in c (op. 1 #3 ) |
8/14/1817
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(Arr.'d by Kaufmann, corrected by Beethoven) | |
Op 137
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Fugue in D for string quintet |
11/28/1817
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Hess 19
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Quintet in Eb |
?1793
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Hess 39
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Quintet in F |
(? Date)
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[lost] | |
Hess 40
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, Prelude and Fugue in d | Fugue part not completed | ||
WoO 62
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, String quintet in C, (1826-7) unfinished | |||
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SEXTETS
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Op 81b
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Sextet for Horns and Strings in Eb |
1795?
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Op 71
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Sextet for Winds in Eb | |||
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SEPTETS
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Op 20
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Septet for Violin,Viola, Clarinet, Horn, Bassoon, Cello & Double Bass Eb | Theme from op49#2 | ||
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OCTETS
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OCTET
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Op 103
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Octet for Winds in Eb |
11/1792
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Written in Bonn then rev. in Vienna 1793. Later recomposed as op 4 | |
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CHAMBER SONATAS - CELLO
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Op 5 #1
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Sonata for Cello #1 in F, Mozart Var. |
5/1796
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7/1796
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[Cmp in Berlin for court cellist Jean-Louis Duport] |
Op 5 #2
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Sonata for Cello #2 in g, Handel Var. |
5/1796
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7/1796
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[Cmp in Berlin for court cellist Jean-Louis Duport] |
Op 69
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Sonata for Cello #3 in A | Ded to Baron Gleichenstein | ||
Op 102 #1
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Sonata for Cello #4 in C |
c. 5/1815
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Op 102 #2
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Sonata for Cello #5 in D | |||
Op 64
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Sonata in Eb for Cello and Piano |
(? Date)
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pub. 1807; (** arranged from String Quintet op. 4 by someone else) | |
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CHAMBER SONATAS - VIOLIN
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Op12 #1
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Violin Sonata #1 in D | |||
Op12 #2
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Violin Sonata #2 in A | |||
Op12 #3
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Violin Sonata #3 in E | |||
Op 23
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Violin Sonata #4 in a (Mozart Variations) | |||
Op 24
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Violin Sonata #5 in F (Spring Sonata) | |||
Op 30 #1
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Violin Sonata #6 in A | Ded to Czar Alexander I of Russia | ||
Op 30 #2
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Violin Sonata #7 in c | Ded to Czar Alexander I of Russia | ||
op. 30 #3
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Violin Sonata #8 in G (Allegro Vivace) | Ded to Czar Alexander I of Russia | ||
Op 47
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Violin Sonata #9 in A (Kreutzer Sonata) | |||
Op 96
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Violin Sonata #10 in G (Mozart Variations) | Written for Rode who performed it 12/29/1812 | ||
Hess 46
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Violin Sonata in A | |||
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CHAMBER SONATAS - OTHER
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Anh 4
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Sonata in Bb for Flute | Possibly spurious. Found w/ Beethoven's papers in another hand. | ||
Op 17
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Sonata for Horn in F, () | Ded to Baroness Braun | ||
WoO 43 #1
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Sonatina: Adagio fo1 in G for Violin and Orchestra, (-) | |||
Op 50
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Romance #2 in Fr Mandolin in c, |
2/1796
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4/1796
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[for Countess Josephine de Clarary in Prague] |
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OTHER CHAMBER - STRINGS
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Op 40
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Romance # for Violin and Orchestra |
c. 1798
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WoO 44 #1
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Andante & Variations for Mandolin in C |
2/1796
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4/1796
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[for Countess Josephine de Clary in Prague] |
WoO 44 #2
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Andante & Variations for Mandolin in D |
2/1796
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4/1796
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[for Countess Josephine de Clary in Prague] |
WoO 43 #2
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Adagio for Mandolin in Eb | Dedicated to Countess Josephine de Clarary. | ||
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OTHER CHAMBER - WINDS
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WoO 30
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3 Equale for Trombones |
10/1812
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Written for Franz Glöggl, Kapellmeister at Linz Cathedral | |
Hess 297
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Adagio in Ab for horns | |||
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OTHER CHAMBER - OTHER
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WoO 33
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Five pieces for Count Deym's mechanical clock | including Adagio in F#1 | ||
WoO 25
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Rondo in Eb | |||
WoO 41
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Rondo for pianoforte and violin in G | |||
Op 41
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Serenade for pianoforte and flute/violin in D |
c. 1802
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arrangement of Serenade op. 25 | |
Op 42
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Nocturne for pianoforte and viola in D |
c. 1802
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(arrangement of op. 8) | |
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CHAMBER MUSIC VARIATIONS
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WoO 28
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Variations for 2 oboes & horn in C, on "La' ci darem" from Mozart's "Don Giovanni" |
c. 1795
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Op 66
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Var.'s for Pianoforte & Cello in F |
?1796
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on "Ein Mädchen oder Weibchen" from Mozart's Magic Flute [See trio variations for piano, Violin and Cello above op.44, op121a] | |
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PIANO MUSIC
IDENT
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TITLE / INFORMATION
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DATE
Begun |
DATE
Completed |
MISC. INFO
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PIANO SONATA STUDIES
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WoO 47#1 | Pianoforte Sonata in Eb | [Published 10/14/83] Ded Archbishop Maximilian Friedrich | ||
WoO 47#2 | Pianoforte Sonata in f | Ded Archbishop Maximilian Friedrich | ||
WoO 47#3 | Pianoforte Sonata in D | Ded Archbishop Maximilian Friedrich | ||
WoO 51 | Easy Pianoforte Sonata in C, a fragment | [portions lost] Ded Eleonore von Breuning | ||
WoO 50 | 2 movements of a Sonata in F | Ded to Franz Wegeler | ||
PIANO SONATAS
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Op 2 #1 | Sonata #1 in f | Ded. To Haydn | ||
Op 2 #2 | Sonata #2 in A | Ded. To Haydn | ||
Op 2 #3 | Sonata #3 in C, Finale | Ded. To Haydn | ||
Op 7 | Sonata #4 in Eb | Ded to Countess Keglevics | ||
Op 10 #1 | Sonata #5 in c | Ded to Countess Browne | ||
Op 10 #2 | Sonata #6 in F | Ded to Countess Browne | ||
Op 10 #3 | Sonata #7 in D | Ded to Countess Browne | ||
Op 13 | Sonata #8 in c, Pathétique | Ded to Prince Lichnowsky | ||
Op 14 #1 | Sonata #9 in E |
4/1798
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7/1798
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Ded to Baroness Braun |
Op 14 #2 | Sonata #10 in G | Ded to Baroness Braun | ||
Op 22 | Sonata #11 in Bb | Ded to Count Browne | ||
Op 26 | Sonata #12 in Ab | Ded Prince Lichnowsky [3'd mvmnt arg'd for Funeral March WoO96] | ||
Op 27 #1 | Sonata #13 in Eb, (Sonata quasi una fantasia Sonata) | Ded Princess von Liechtenstein | ||
Op 27 #2 | Sonata #14 in c#, (Sonata quasi una fantasia) "Moonlight" | Ded Countess Guicciardi | ||
Op 28 | Sonata #15 in D, Pastoral Sonata | Ded to Joseph Sonnenfels | ||
Op 31 #1 | Sonata #16 in G | Commissioned by publisher | ||
Op 31 #2 | Sonata #17 in d | Commissioned by publisher | ||
Op 31 #3 | Sonata #18 in Eb | Commissioned by publisher | ||
Op 49 #1 | Sonata #19 in g |
c. 1797?
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Op 49 #2, | Sonata #20 in G | |||
Op 53 | Sonata #21 in C, Waldstein sonata |
11/1803
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12/1803
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[WoO 57 used as 2'd movement] Ded to Ct Waldstein |
Op 54 | Sonata #22 in F |
4/1804
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9/1804
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Op 57 | Sonata #23 in f, Appassionata | Ded to Count Brunsvik | ||
Op 78 | Sonata #24 in F# | Ded Therese Brunsvik, commissioned by Clementi | ||
Op 79 | Sonata #25 in G | commissioned by Clementi | ||
Op 81a | Sonata #26 in Eb, Les adieux, Das Lebewohl | Ded to Archduke Rudolf | ||
Op 90 | Sonata #27 in e |
c. 6/1814
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Ded to Count Lichnowsky | |
Op 101 | Sonata #28 in A |
4/1816
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11/1816
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Ded to Baroness Ertmann |
Op 106 | Sonata #29 in Bb, Hammerklaver Sonata |
c. Aut 1817
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Ded to Archduke Rudolf | |
Op 109 | Sonata #30 in E | Ded to Maximiliane Brentano. Commissioned by publisher | ||
Op 110 | Sonata #31 in Ab | Commissioned by publisher. | ||
Op 111 | Sonata #32 in c | Ded to Archduke Rudolf. Commissioned by publisher. | ||
PIANO SOLO - VARIATIONS
(see also chamber trios) |
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WoO 63 | 9 Variations for Piano in c | on March by Dressler; 1st pub. Wk. Ded:Countess Wolf-Metternich | ||
PIANO PLUS OTHER INSTRUMENTS
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WoO 40 | 12 Variations for Piano & Violin in F | on "Se vuol ballare" from Mozart's N. di Figaro | ||
WoO 45 | 12 Variations for Cello & Piano in G, | on a theme in Handel's "Judas Maccabeus" | ||
WoO 46 | Variations for Cello & Piano in Eb | on "Bei Männern, welche Liebe Fühlen" from Magic Flute (Mozart) | ||
WoO 66 | 13 Variations for Piano and Cello in A | on "Es war einmal ein alter Mann" from Dittersdorf's Das rote Käppchen | ||
Op 105 | 6 Themes with variations for Pianoforte with flute or violin accomp. | Ad libitum | ||
Op 107 | 10 Themes with Variations for Pianoforte with flute or violin accomp. | Ad libitum | ||
PIANO - NOT YET CLASSIFED W/ RESPECT TO SOLO VS.
OTHER INSTRUMENTS
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WoO 68 | 12 Variations in C | on "Menuett a la Vigano' from Haibel's ballet Le nozze disturbate | ||
WoO 69 | 9 Variations in C | on "Quant' e' piu bello" by Paisiello's La molinara | ||
WoO 70 | 6 Variations in G | on "Nel cor Piu non mi sento" from Paisiello's La molinara | ||
WoO 71 | 12 Variations in A |
11/1796
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on the Russian Dance in Paul Wranitzky's ballet "Das Waldmadchen" | |
WoO 73 | 10 Variations (Salieri) in B | on "La stessa la stessissima" by Salieri | ||
WoO 75 | 7 Variations in F, "Kind, willst du ruhig schlafen | from Winter's Das unterbrochene Opferfest | ||
WoO 76 | 6 Variations in F | on "Tändeln und Scherzen" from Süsmayr's Soliman II | ||
WoO 77 | 6 Variations in G | on an original Theme | ||
Op 34 | 6 Variations in F | on original theme. Ded to Princess Odescalchi | ||
Op 35 | 15 variations on a theme for fuga in Eb [Eroica Var] | |||
WoO 78 | 7 Variations in C, | on "God save the King" | ||
WoO 79 | 5 Variations in D | "Rule Brittania" | ||
WoO 80 | 32 Variations in c |
c. 11/1806
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on an original theme | |
Op 76 | 6 variations over own theme in D | Later used for Ruins of Athens, Turkish march | ||
Op 120 | 33 variations over waltz by Anton Diabelli | Ded to Antonie Brentano | ||
WoO 74 | 6 Variations for Piano duet. | Theme to opening stanza, Goethe's poem "Ich denke dein" | ||
WoO 64 | 6 Variations for Harp or Piano in F | on a Swiss Song | ||
WoO 72 | 8 Variations in C |
c. 1795
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on "Une fievre brulante' " by Grettry's Richard Coeur de Lion | |
WoO 65 | 24 Variations in D |
c. 7/1791
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8/1791
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on Arietta "Venni Amore" by Righini |
PIANO RONDOS
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Op 129 | Rondo a capriccio G, | "Die Wut über den verlorenen Groschen" not completed | ||
Op 51#1 | Rondo in C | |||
Op 51 #2 | Rondo in G | |||
WoO 48 | Rondo for Piano in C | |||
WoO 49 | Rondo for Piano in A | |||
PIANO 4 HANDS
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Op 6 | Sonata for Piano Duet in D | |||
WoO 67 | 8 Variations for Pianoforte duet in C | on a theme comp. by Count von Waldstein; published 1794 | ||
Op 45 #1 | March for Pianoforte duet in C | |||
Op 45 #2 | March for Pianoforte duet in Eb | |||
Op 45 #3 | March for Pianoforte duet in D | |||
Op 134 | Pianoforte duet in Bb | (Fuge for piano) (Arrangement by Beethoven of op 133) | ||
OTHER PIANO
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WoO 57 | "Andante favori", Andante for pianoforte in F | org. middle movement in sonata op.53 | ||
Op 33 | 7 Bagatelle | |||
WoO 59 | Für Elise | |||
Op 119 | 11 Bagatelle in g, c, D, A, c, G, C, C, a, A, Bb | |||
Op 126 | 6 Bagatelle in G, g, Eb, b, G, Eb | |||
WoO 54 | Lustig-traurig" in C | |||
WoO 81 | Allemande in A |
c. 1793
|
revised 1822 | |
Hess 64 | Fugue in C | |||
WoO 52 | Presto in c |
c. 1795
|
revised 1798 and 1822; Originally intended for Piano Sonata | |
Op 10 #1 | Allegretto in c |
c. 1795
|
rev. 1822 - ?Hess 69? | |
WoO 55 | Prelude in f | |||
WoO 61 | Allegretto in b | |||
WoO 61a | Allegretto quasi andante in g | Ded to Sarah Burneglage | ||
WoO 60 | Bagattelle in Bb | |||
WoO 36 | Three piano quartets in Eb, D, C | |||
WoO 53 | Allegretto in c for piano | |||
WoO 57 | Andante Favori (Andante for pianoforte in F) | |||
Op 39 | Preludes for Organ or Piano through all 12 major keys #1 & #2 in C |
c. 1789
|
Published 1803 | |
WoO 31 | Fugue for Organ |
c. 1783
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Op 77 | Fantasia in g | Dedicated to Count Brunsvik. Comissioned by Clementi | ||
Op 89 | Polonaise in C |
c. 12/1814
|
Composed for Empress of Russia who is in Vienna for the Congress | |
WoO 56 | Bagatelle in C for pianoforte (Allegretto) | |||
Hess 65 | Concert Finale in C | (Arrangement of coda and finale of 3'd Piano Concerto, op. 37) | ||
Hess 87 | Piano arr. of March in Bb (WoO 29) | for 6 wind instruments | ||
Hess 88 | Piano arrangement of Minuet in Ab (Hess 33) | for string quartet | ||
Hess 89 | Piano arrangement of Ritterballett (WoO 1) |
(? Date)
|
||
Hess 90 | Piano arr. of Die Geschöpfe des Prometheus (op. 43) | |||
Hess 93-95 | A simplified setting and 2 keyboard vrs of Clärchen's Lied, #4 of Egmont (op.84) | |||
Hess 97 | Piano arrangement of Wellingtons Sieg (op.91) | |||
Hess 99 | Piano arrangement of Military March in F (WoO 18) | |||
Hess 100 | Piano versions of WoO 8 |
(? Date)
|
||
Hess 101 | Piano version of WoO 7 |
(? Date)
|
||
Hess 102 | Piano version of WoO 14 |
(? Date)
|
||
|
DANCES & MARCHES
IDENT
|
TITLE / INFORMATION
|
DATE
Begun |
DATE
Completed |
MISC. INFO
|
DANCES
|
||||
Hess 33 | Minuet in Ab, | |||
WoO 7 | 12 Minuets in D, Bb, G, Eb, C, A, D, Bb, G, Eb, C, F | [comp. for Grand ball of the Gesellshaft der bildenden Künstler] | ||
WoO 8 | 12 German Dances in C, A, F, Bb, Eb, G, C, A, F, D, G, C | |||
WoO 9 | 6 Minuets in Eb, G, C, F, D, G | |||
WoO 10 | 6 Minuets in Eb, G, C, F, D, G | |||
WoO 42 | 6 German Dances in F, D, F, A, D, G | Ded. To "The two Countesses Thur" - Probably wife of Prince Lichnowsky and one of her 2 sisters was wife of Count Razumovsky and their mother was former patroness of Mozart and Haydn. | ||
WoO 13 | 12 German Dances in D, Bb, G, D, F, Bb, D, G, Eb, C, A, D | |||
WoO 11 | 7 Ländler all in D | |||
WoO 14 | 12 Contradanses in C, A, D, Bb, Eb, C, Eb, C, A, C, G, Eb | |||
WoO 15 | 6 Ländler in D, D, D, d, D, D | |||
WoO 82 | Minuet for Piano in Eb | |||
WoO 83 | 6 Ecossaise for pianoforte, all in Eb |
c. 1806
|
||
WoO 21 | Polonaise in D | |||
WoO 22 | Ecossaise in D | |||
WoO 23 | Ecossaise in G |
c. 1810
|
||
WoO 2a | Triumphal March in C | for C. Kuffner's tragedy "Tarpeja" | ||
WoO 3 | Gratulations Menuett in Eb, (1822) |
11/3/1822
|
Ded to Karl Holz but written as tribute to Karl Hensler 1st perf. 11/3/1822 | |
WoO 84 | Waltz for Piano in Eb | |||
WoO 85 | Waltz for Piano in D | |||
WoO 86 | Ecossaise for Piano in Eb | |||
MARCHES
|
||||
WoO 18 #1 | March for Military Music in F | Added Trio 1822; Ded to Archduke Anton | ||
WoO 18 #2 | March for Military Music in F | |||
WoO 19 | March in F (???? WoO 18 ????) | added Trio in F 1822 | ||
WoO 20 | March for Military Music in C | added Trio in F 1822 | ||
WoO 24 | March for Military Music in D | |||
WoO 29 | March in Bb | [also considered chamber piece with winds]. See Hess 107 | ||
Hess 107 | Grenadiermarsch for mechanical clock in F |
(? Date)
|
[20 bar march by Haydn, arrangement of WoO 29] | |
Op 114 | March with chorus from "Die Ruinen von Athen" | arranged for "Die Weihe des Hauses | ||
|
VOCAL, LITURGICAL & STAGE
IDENT
|
TITLE / INFORMATION
|
DATE
Begun |
DATE
Completed |
MISC. INFO
|
OPERA
|
||||
Op 72, #1 | Fidelio | originally Leonore written 1804-5, rewritten Leonore 1806, final version Fidelio 1814] Leonore I | ||
Op 72 | Overture Leonore #2 in C | (Andante con moto - Allergro con brio) Act 1 1. Aria (Marzelline) "O, wär ich schon" 2. Duet (Marzelline, Jaquino) "Jetzt, Schätzen, jetzt" 3. Trio (Marzelline, Jaquino, Rocco) "Ein Mann ist bald genommen" 4. Quartet (Marzelline, Leonore, Jaquino, Rocco) "Mir is so wunderbar" 5. Aria (Rocco) "Hat man nicht auch Gold" 6. Trio (Marzelline, Leonore, Rocco) "Gut, Söhnchen, gut" Act II 7. March 8. Aria (Pizarro) with Chorus "Ha, welch ein Augenblick" 9. Duet (Pizarro, Rocco) "Jetzt, Alter" 10. Duet (Marzelline, Leonore) "Um in der Ehe" 11. Recit. and Aria (Leonore) "Ach, brich noch night" "Komm Hoffnung" 12. Finale (Prisoners, Marzelline, Leonore, Pizarro, Rocco) "O welche Lust" Act III 13. Introduction, Recit. and Aria (Florestan) "Gott, welch Dunkel" "In des Lebens Frühlingstagen" 14. Duet (Leonore, Rocco) "Nur hurtig fort" 15. Trio (Leonore, Florestan, Rocco) "Euch werde Lohn" 16. Quartet (Leonore, Florestan, Pizarro, Rocco) "Er sterbe!" 17. Recit. and Duet (Leonore, Florestan) "Ich kann mich noch night fassen" "O namenlose Freude" 18. Finale (Prisoners, townspeople, Leonore, Marzelline, Florestan, Pizarro, Rocco, Don Fernando, Jaquino) "Zur Rache" | ||
Op 72#2 | Leonore II | Opera w/ overture Leonore #3 in C (Adagio - Allegro) Act 1 1. Aria (Marzelline) "O, wär ich schon" 2. Duet (Marzelline, Jaquino) "Jetzt, Schätzen, jetzt" 3. Quartet (Marzelline, Leonore, Jaquino, Rocco) "Mir is so wunderbar" 4. Trio (Marzelline, Leonore, Rocco) "Gut, Söhnchen, gut" 5. March 6. Aria (Pizarro) with Chorus "Ha, welch ein Augenblick" 7. Duet (Pizarro, Rocco) "Jetzt, Alter" 8. Recit. and Aria (Leonore) "Ach, brich noch night" "Komm, Hoffnung, lass den letzten Stern" 9. Duet (Marzelline, Leonore) "Um in der Ehe" 10. Trio (Marzelline, Jaquino, Rocco) "Ein Mann ist bald genommen" 11. Finale (Prisoners, Marzelline, Leonore, Pizarro, Rocco) "O welche Lust" Act II 12. Introduction, Recit. and Aria (Florestan) "Gott, welch Dunkel" "In des Lebens Frühlingstagen" 13. Duet (Leonore, Rocco) "Nur hurtig fort" 14. Trio (Leonore, Florestan, Rocco) "Euch werde Lohn in bessern Welten" 15. Quartet (Leonore, Florestan, Pizarro, Rocco) "Er sterbe!" 16. Recit. and Duet (Leonore, Florestan) "Ich kann mich noch night fassen" "O namenlose Freude" 17. Finale (Prisoners, townspeople, Leonore, Marzelline, Florestan, Pizarro, Rocco, Don Fernando, Jaquino) "Zur Rache" | ||
Op 72#3 | Fidelio III Opera w/ overture Fidelio in E (Allegro) | Act I 1. Duet (Marzelline, Jaquino) "Jetzt, Schätzen, jetzt" 2. Aria (Marzelline) "O wär ich schon mit dir vereint" 3. Quartet (Marzelline, Leonore, Jaquino, Rocco) "Mir ist so wunderbar" 4. Aria (Rocco) "Hat man nicht augh Gold" 5. Trio (Marzelline, Leonore, Rocco) "Gut, Söhnchen, gut" 6. March 7. Aria (Pizzarro) with Chorus "Ha, welch ein Augenblick" 8. Duet (Pizarro, Rocco) "Jetzt, Alter" 9. Recit. And Aria (Leonore) "Abscheulicher! Wo eilst du hin?" "Komm, Hoffnung" 10. Finale (Prisoners, Marzelline, Leonore, Jaquino, Pizarro, Rocco) "O welche Lust" Act II 11. Intro., Recit. and Aria (Florestan) "Gott welch Dunkel hier!" "In des Lebens Frühlingstagen" 12. Melodrama and duet (Leonore, Rocco) "Wie kalt ist es" "Nur hurtig fort" 13. Trio (Leonore, Florestan, Rocco) "Euch werde Lohn" 14. Quartet (Leonore, Florestan, Pizarro, Rocco) "Er sterbe!" 15. Duet (Leonore, Florestan) "O namelose Freude" 16. Finale (Prisoners, townspeople, Leonore, Marzelline, Florestan, Pizarro, Rocco, Don Fernando, "Heil sei dem Tag" | ||
Op 84 | Egmont Opera w/ overture in f Sostenuto ma non troppo - Allegro | and Incidental music, 1. Aria (Clärchen) "Die Trommel gerühret" 2. Zwischenakt I 3. Zwischenakt II 4. Aria (clärchen) "Freudvoll und leidvoll" 5. Zwischenakt III 6. Zwischenakt IV 7. Musik, Clärchens Tod bezeichnend 8. Melodrama (Egmont) "Süsser Schlaf!" 9. Siegessymphonie S solo, male v (spoken) | ||
Hess 115 | , Opera Vestas Feuer | Unfinished | ||
PLAYS
|
||||
Op 113 | Die Ruinen von Athen | [Play by von Kotzebue] Overture in g-G 1. Chorus "Tochter des mächtigen Zeus! 2. Duet (Greek man and woman) "Ohne Verschulden" 3. Chorus (Dervishes) "Du hast in deines Armels" 4. Marcia alla Turca 5. Musik hinter der Scene 6. March, Chorus and Recit. (Hight Priest) "Schmückt die Altäre" - "Mit reger Freude" 7. Chorus and Aria (Hight Priest) "Wir tragen empfängliche Herzen" - "Will unser Genius" 8 Chorus "Heil unserm König" | ||
Op 117 | König Stephan | [Play by von Kotzebue] Overture in Eb 1. Chorus (men) "Ruhend von seinen Taten" 2. Chorus (men) "Auf dunklem Irrweg" 3. Siegesmarsch 4. Chorus (women) "Wo die Unschuld 5. Melodrama (Stephan) "Du hast dein Vaterland" 6. Chorus "Eine neue strahlende Sonne" 7. Melodrama (Stephan) "Ihr edlen Ungarn" 8. March, Chorus and Melodrama (Stephan) "Heil unserm Könige" - "Ich schmücke ehrfurchtsvoll" 9. Chorus "Heil unsern Enkeln" Male and female v (spoken) | ||
WoO 96 | Leonore Prohaska |
c. 3/1815
|
[Incidental music, written for drama by Duncker] 1. Chorus (warriors) "Wir bauen und sterben" 2. Romanze (soprano) "Es blüht eine Blume" 3. Melodrama "Du, dem sie gewunden" 4. Trauermarsch [arranged from piano sonata op. 26] | |
Hess 118 | Complete music for Die Weihe des Hauses | [adapted from Die Ruinen von Athen, op. 113] | ||
BALLET
|
||||
WoO 1 | Musik zu einem Ritterballett | 1. March 5 War Dance 2. German Song 6. Drinking Song 3. Hunting Song 7. German Song 4. Love Song 8. Coda op. 43, Ballet: Die Geschöpfe des Prometheus (The Creatures of Prometheus), (1800-1) Overture in C Introduction: La Tempesta 1. Poco adagio - Allegro con brio 9. Adagio 2. Adagio - Allegro con brio 10. Pastorale 3. Allegro vivace 11. Andante 4. Maestoso - Andante 12. Solo de Gioja 5. Adagio - Andante quasi Allegretto 13. Allegro 6. Un poco Adagio - Allegro 14. Solo della Cassentini 7. Grave 15. Solo di Vigano 8. Allegro con Brio 16. Finale | ||
MASSES
|
||||
Op 86 | Mass in C | |||
Op 123 | Missa Solemnis in D | |||
NC | Mass in c# | [Incomplete] | ||
CANTATA
|
||||
WoO 87 | Cantata on the Death of Emperor Joseph II | [Joseph II died 2/20/1790] | ||
WoO 88 | Cantata on the Elevation of Leopold II |
9/1790
|
10/1790
|
[Leopold II elected emperor 9/30/1790] ??? Cantata Un lieto brindisi, written for name-day of Giovanni Malfatti (St. John's Day) (6/1814). |
Op 136 | Cantata for four solo voices, chorus and orchestra |
10/1814
|
11/1814
|
"Der glorreiche Augenblick" |
WoO 103 | Un lieto brindisi: Cantata campestre |
6/1814
|
||
MULTIPLE VOICES WITH ORCHESTRA
|
||||
Op 80 | Coral Fantasy for Piano, Chorus and Orchestra |
12/1808
|
Ded. To King Maximilian Joseph of Bavaria | |
Op 116 | Trio for soprano, tenor and bass w/ orchestral accomp. | "Tremate, empi, tremate", **? Solo | ||
WoO 95 | Chorus w/ orchestra | "Die verbundeten Fursten" | ||
Op 112 | Chorus w/ orchestral accomp. |
3/3/1813
|
"Meeresstille und Glückliche Fahrt" | |
WoO 97 | Song,"Es ist vollbracht" for bass voice, chorus & orch. | Treitschke's Singspiel Die Ehrenpforten | ||
WoO 98 | Song, Chorus w/ soprano solo and orch. | For "Die Weihe des Hauses" | ||
WoO 94 | Song, "Germania" bass w/chorus & orch. | for G.F.Treitschke's Singspiel "Die gute Nachright" | ||
Op 121b | Song, "Opferlied" for soprano, chorus and orch. | |||
WoO 93 | Duet "Nei giorni tuoi felici" | for soprano and tenor with orchestra, ** ? Solo | ||
SOLO VOICE WITH ORCHESTRA
|
||||
WoO 92 | Soprano aria |
c. 1791
|
||
WoO 89 | Prufung des Kussens | |||
WoO 90 | Mit Madeln sich vertragen | |||
Op 65 | Scena and aria (for soprano voice and orchestra) | "Ah! perfido" | ||
WoO 92a | No, non Turbarti |
early 1802
|
||
WoO 91 | 2 arias in Bb |
c. 1795
|
"O welch ein Leben" in F; "Soll ein Schuh nicht drünken?" | |
VOCAL WORKS WITH CHORUS
|
||||
Op 118 | Elegischer Gesang |
7/1814
|
||
WoO 99 | Italian Partsong | |||
WoO 100 | Lob auf den Dicken: Musikalischer Scherz |
late 1801
|
||
WoO 102 | Song, "Abschiedsgesang" for three male voices a cappella | |||
WoO 104 | Song, for three male voices. Song of the monks (Gesang der Mönche) in Schiller's Wilhelm Tell |
5/3/1817
|
In memory of his friend Krumpholz who died the previous day. | |
Op 122 | Song, "Bundeslied" for voices w/ wind instrument accompaniment | |||
WoO 106 | Song, "Lobkowitz-Kantate" |
4/1823
|
||
Op 85 | Oratorio, Christ on the Mount of Olives | |||
WoO 105 | Song, "Hochzeitslied" Wedding song for tenor solo and chorus, w/ pianoforte acc. |
1/1819
|
||
Hess 91 | Arr. of Opferlied (op. 121b) for soprano, choir and piano |
(? Date)
|
Pub. 1825 | |
Op 118 | Elegischer Gesang (Elegiac Song) |
7/1814
|
Composed for performance 8/5/1814 | |
VOCAL WITH PIANO ACCOMPANYMENT
|
||||
WoO 112 | Song, "An Laura" |
c. 1792
|
[Friedrich von Matthisson] | |
WoO 114 | Song, "Ein Selbstgespräch" | [J.W.L. Gleim] | ||
Op 46 | Song, "Adelaide" |
c. 11/1796
|
[Friedrich von Matthisson] | |
WoO 126 | Song, "Opferlied" | Initially 1794-5 rev. 1801-2) [Friedrich von Matthisson] | ||
WoO 127 | Song, "Neue Liebe, neues Leben" | [Johann Wolfgang von Goethe] | ||
Op 52 #1 | Song, "Urians Reise um die Welt" | [Matthias Claudius] | ||
Op 52 #2 | Song, "Feuerfarb" (1792-1803) | [Sophie Mereau] | ||
Op 52 #3 | Song, "Das Liedchen von der Ruhe" | [Wilhelm Ueltzen] | ||
Op 52 #4 | Song, "Maigesang" | [Johann Wolfgang von Goethe] | ||
Op 52 #5 | Song, "Mollys Abschied" | [Gottfried August Bürger] | ||
Op 52 #6 | Song, "Die Liebe" | [Gotthold Ephraim Lessing] | ||
Op 52 #7 | Song, "Marmotte" | [Johann Wolfgang von Goethe] | ||
Op 52 #8 | Song, "Das Blümchen Wunderhold" | [Gottfried August Bürger] | ||
Op 32 | Song, "An die Hoffnung" | Strophic, later vers. | ||
Op 94 | thru composed. |
(? Date)
|
[Christoph August Tiedge] | |
WoO 133 | Song, "In questa tomba oscura" | [Giuseppe Cargani] | ||
Op 75 #1 | Song, "Mignons Lied" | [Johann Wolfgang von Goethe] | ||
Op 75 #2 | Song, "Neue Liebe, neues Leben" | [Johann Wolfgang von Goethe] | ||
Op 75 #3 | Song, "Aus Goethes Faust" | [Johann Wolfgang von Goethe-"Es war einmal ein König"] | ||
Op 75 #4 | Song, "Gretels Warnung" | [Gerhard Anton von Halem-"Mit Liebesblick und Speil"] | ||
Op 75 #5 | Song, "An den fernen Geliebten" | [Christian Ludwig Reissig -"Einst wohnten süsse Ruh"] | ||
Op 75 #6 | Song, "Der Zurfriedene" | [Christian Ludwig Reissig -"Zwar schuf das Glück"] | ||
Op 82 #1 | Song, "Hoffnung" | [?Author-"Dimmi, ben mio"] | ||
Op 82 #2 | Song, "Liebes-Klage" | [Pietro Metastasio-"T'intendo, si, mio cor"] | ||
Op 82 #3 | Song, "L'amante impatiente" arietta buffa | [Pietro Metastasio-"Che fa il mio bene"] | ||
Op 82 #4 | Song,"L'amante impatiente"arietta assai seriosa | [Pietro Metastasio"Che fa il mio bene"] | ||
Op 82 #5 | Song "Lebens-Genuss" | [[Pietro Metastasio"Odi l'aura che dolci sospira"] | ||
WoO 136 | Song, "Andenken" | [Friedrich von Matthisson] | ||
WoO 137 | Song, "Lied aus der Ferne" | [Christian Ludwig Reissig] | ||
Op 83 #1 | Song, "Wonne der Wehmut" | ("Trocknet night") | ||
Op 83 #2 | Song, "Sehnsucht" | ("Was zieht mir das Herz") | ||
Op 83 #3 | Song, "Mit einem gemalten Band" | ("Kleine Blumen") | ||
WoO 140 | Song, "An die Geliebte" |
12/1811
|
2nd ver ( rev. ) ("O dass ich dir vom stillen Auge") | |
WoO 143 | Song, "Der Kriegers Abschied" |
late 1814
|
[Christian Ludwig Reissig-"Ich Zieh' ins Feld"] | |
WoO 144 | Song, "Merkenstein" | [Johann Baptist Rupprecht] | ||
Op 94 | Song, "An die Hoffnung" | [Christoph August Tiedge-"Ob ein Gott sei"] | ||
Op 100 | Song, "Merkenstein" | [Johann Baptist Rupprecht] | ||
WoO 145 | Song, "Das Geheimnis" | [Ignaz von Wessenberg-"Wo blüht das Blümchen"] | ||
WoO 147 | Song, "Ruf vom Berge" |
12/1816
|
[Friedrich Treitschke-"Wenn ich ein Vöglein wär"] | |
Op 98 | Song, , An die ferne Geliebte |
c. 4/1816
|
(six poems by A. Jeitteles, ) "To the Distant Beloved" | |
Op 99 | Song, "Der Mann von Wort" |
5/1816
|
[Friedrich August Kleinschmid-"Du sagtest, Freund"] | |
WoO 148 | Song, "So oder so" |
early 1817
|
[Carl Lappe-"Nord oder Süd] | |
WoO 149 | Song, "Resignation" |
early 1817
|
[Paul von Haugwitz-"Lisch aus, mein Licht] early sketches c.1814 | |
WoO 150 | Song, "Abendlied unterm gestirnten Himmel" | [Heinrich Goeble"Wenn die Sonne nieder sinket"] | ||
Op 128 | Arietta "Der Kuss" |
11/1822
|
12/1822
|
[Christian Felix Weisse-"Ich war bei Chloen ganz allein"]sk'ed1798 |
WoO 129 | Song, "Der Wachtelschlag" | [S.F. Sauter-"Ach, mir schallt's dorten] Arrrangement of Bundeslied (op. 122) for 2 soloists and piano, Hess 92 (Pub. 1825) | ||
WoO 130 | Song, "Gedenke mein" | [Author?] | ||
WoO 113 | Song, "Klage" |
c. 1790
|
[L. Hölty-"Dein Silber schien durch Eichengrün"] | |
WoO 110 | Song, "Elegie auf den Tod eines Pudels" |
c. 1790
|
[Author?-"Stirb immerhin"] | |
WoO 111 | Song, "Punschlied" |
c. 1791
|
[Author?-"Wer night, wenn warm"] | |
WoO 109 | Song, "Trinklied" |
c. 1792
|
[Author?-"Erhebt das Glas"] | |
WoO 116 | Song, "Que le temps me dure" |
early 1794
|
(?"Moll und Dur") 2v. c,C [Jean-Jacques Rousseau] | |
WoO 117 | Song, "Der freie Mann" | Written 1792, revised 1794 [G.C.Pfeffel-"Wer ist ein freier Mann?"] | ||
WoO 119 | Song, "O care selve" |
c. 1794
|
[Pietro Metastasio] | |
WoO 118 | Song, "Seufzer eines Ungeliebten; Gegenliebe", | [Gottfried August Bürger-"Hast du nicht Liebe zugemessen"; "Wüsst ich, dass du mich lieb" (Gegenliebe melody later in Choral Fant. op. 80) | ||
WoO 123 | Song, "Zärltliche Liebe" |
c. 1795
|
[Karl Friedrich Herrosee-"Ich liebe dich"] | |
WoO 124 | Song, "La partenza" | [Pietro Metastasio-"Ecco quel fiero istante] | ||
WoO 125 | Song, "La tiranna" | [William Wennington-"Ah grief to think"] (1st attempt at Eng.text) | ||
WoO 128 | Song, "Plaisir d'aimer | [Author ?] | ||
WoO 139 | Song, "Der Liebende" | [Christian Ludwig Reissig-"Welch ein wunderbares Leben'] | ||
CANNONS
|
||||
WoO 167 | "Brauchle, Linke", three-part canon |
c. 1815
|
||
WoO 168 | "Das Schweigen", "Das Reden" |
1/24/1816
|
two farewell canons for Neate leaving for London | |
WoO 169 | "Ich küsse Sie", two-part canon |
1/1816
|
||
WoO 176 | "Glück, Glück zum neuen Jahr", three-part canon |
12/1819
|
||
WoO 175 | "Sankt Petrus war ein Fels" | |||
WoO 180 | "Hoffman, sei ja kein Hofmann", two-part canon |
3/1820
|
||
WoO 181 | Three canons: "Gedenket heute", "Gehabt euch"; "Tugend ist" | |||
WoO 182 | "O Tobias!", three-part canon |
9/1821
|
||
WoO 183 | "Bester Herr Graf", four-part canon |
2/1823
|
[See also: musical jokes] | |
WoO 184 | "Falstafferel, lass' dich sehen", five-part canon |
4/1823
|
||
WoO 185, | "Edel sei der Mensch", six-part canon |
c. 5/1823
|
(2 versions in E and Eb) | |
WoO 186 | "Te solo adoro", two-part canon, |
6/1824
|
||
WoO 187 | "Schwenke dich", four-part canon |
11/1824
|
||
WoO 189 | "Doktor, sperrt das Tor", four-part canon |
5/1825
|
||
WoO 190 | "Ich war hier, Doktor", two-part canon |
6/1825
|
||
WoO 191 | "Kühl, nicht lau", three-part canon |
11/1825
|
||
WoO 194 | "Si non per portas", canon |
9/1825
|
||
WoO 198 | "Wir irren allesamt", two-part canon |
12/1826
|
||
WoO 159 | "Im Arm der Liebe" |
c. 1795
|
||
WoO 160 | Two Canons, untexted, in G and C |
c. 1795
|
||
WoO 35 | Duet in A for 2 violins |
8/1825
|
[Untexted Canon] | |
WoO 161 | "Ewig dein" |
c.1811?
|
||
WoO 163 | "Kurz ist der Schmerz" |
11/1813
|
For Johann Friedrich Naue | |
WoO 164 | "Freundschaft ist die Quelle" |
9/1814
|
||
WoO 165 | "Glück zum neuen Jahr" |
1/1815
|
for Baron von Pasqualati | |
WoO 166 | "Kurz ist der Schmerz" |
3/1815
|
for Louis Spohr | |
WoO 170 | "Ars longa, vita brevis" |
4/1816
|
For Johann Nepomuk Hummel | |
WoO 171 | "Glück fehl' dir vor allem" | For Anna Giannatasio del Rio | ||
WoO 172 | "Ich bitt' dich" |
c.1818?
|
For Vincent Hauschka | |
WoO 173 | "Hol' euch der Teufel" (puzzle cannon) |
Sum 1819
|
For Sigmund Anton Steiner | |
WoO 174 | "Glaube und hoffe" |
9/1819
|
For Moritz Schlesinger [not strictly a cannon] | |
WoO 179 | "Alles Gute" |
12/1819
|
For Archduke Rudolph | |
WoO 177 | "Bester Magistrat" |
c. 1820
|
For Abbe' Stadler? | |
WoO 178 | "Signor Abate" |
c. 1820?
|
||
WoO 188 | "Gott ist eine feste Burg" |
1/1825
|
||
WoO 192 | "Ars longa, vita brevis" (puzzle cannon) |
11/1825
|
For Sir George Smart | |
WoO 193 | "Ars longa, vita brevis" (puzzle cannon) |
?1825
|
||
WoO 195 | "Freu' dich des Lebens" |
12/1825
|
For Theodor Molt | |
WoO 196 | "Es muss sein" |
c.7/1826
|
For Ignaz Dembscher | |
WoO 197 | "Da ist das Werk" |
9/1826
|
||
Hess 276 | "Herr Graf, ich komme zu fragen" |
1797?
|
||
Hess 229 | "Languisco e moro" |
early 1803
|
||
Hess 274 | Untexted canon in G |
early 1803
|
||
Hess 275 | Untexted canon in Ab |
c. 11/1803
|
||
Hess 300 | "Liebe mich, werter Weissenbach" |
c. 1/1820
|
For Aloys Weissenbach? | |
Hess 301 | "Wähner...es ist kein Wahn" |
c. 1/1820
|
For Friedrich Wähner? | |
Hess 277 | "Esel aller Esel" |
c. 9/1826
|
||
FOLKSONGS
|
||||
Op 108 | 25 Scottish songs w/ pianoforte, violin and cello accomp. |
(? Date)
|
(Pub. 1815-1816) | |
WoO 152 | 25 Irish songs |
(? Date)
|
(Pub. 1814) | |
WoO 153 | 20 Irish songs |
(? Date)
|
(Pub. 1816) | |
WoO 154 | 12 Irish songs |
(? Date)
|
(Pub. 1816) | |
WoO 155 | 26 Welsh songs |
(? Date)
|
, (Pub. 1817) | |
WoO 156 | 12 Scottish songs |
(? Date)
|
(Pub. #1:1822, #2-4,8,9,12:1824-5, #5,6:1839, #7,10,11:1841) | |
WoO 157 | 12 Assorted folksongs |
(? Date)
|
(Pub. #2,6,8,11:1816, #3:1822, #5:1824-5, #1:1839) | |
WoO 158 #1 | 23 Continental folksongs |
(? Date)
|
||
WoO 158 #2 | 7 British folksongs |
(? Date)
|
||
WoO 158 #3 | 6 Assorted folksongs |
(? Date)
|
||
Hess 133 | "Das liebe Kätzchen" |
(? Date)
|
(Pub. 3/1820) Austrian | |
Hess 134 | Der Knabe auf dem Berge |
(? Date)
|
(Pub. 3/1820) Austrian | |
Hess 168 | No Title or Text |
(? Date)
|
(Pub. early 1817) French | |
Hess 192 | "On the Massacre of Glencoe |
(? Date)
|
(Pub. 1813) Scott (Replaced by WoO 152 #5) | |
Hess 194 | "I Dream'd I Lay" |
(? Date)
|
(Pub 7/1810) (Replaced by WoO 153 #5) | |
Hess 195 | "When Far from the Home" |
(? Date)
|
(Pub. 1813) (Replaced by WoO 153 #11) | |
Hess 196 | "I'll Praise the Saints" |
(? Date)
|
[Pub. 7/1810] (Replaced by WoO 153 #12) | |
Hess 197 | "Tis but in Vain" |
7/1810
|
(Replaced by WoO 153 #15) | |
Hess 198 | "Oh Would I Were" |
(? Date)
|
[Pub. 2/1812] (Replaced by WoO 154 #9) | |
Hess 203 | "Faithfu' Johnie" |
(? Date)
|
[Pub. 7/1810] (Replaced by WoO 108 #20) | |
Hess 206 | "To the Blackbird" |
(? Date)
|
[Pub. 7/1810] (Replaced by WoO 155 #20) | |
MISCELLANEOUS SONGS
|
||||
WoO 107 | Song, "Schilderung eines Mädchens" |
?1783
|
[Author?-Schildern, willst du Freund"] | |
WoO 108 | Song, "An einen Säugling" |
1784?
|
[J.von Döhring-"Noch weisst du nicht wess Kind du bist"] | |
WoO 115 | Song, "An Minna" |
c. 1792
|
[Author?-"Nur bei dir, an deinem Herzen"] | |
WoO 121 | Song, "Abschiedsgesang an Wiens Bürger" |
c. 1798
|
[von Friedelberg-"Keine Klage soll erschallen"] | |
WoO 122 | Song, "Kriegslied der Osterreicher" | [von Friedelberg-'Ein grosses deutches Volk] | ||
Hess 137 | Song, "Ich wiege dich in meinem Arm |
c.1795?
|
[Author?] lost (ref. to by Beethoven 1822, in a price list for possible publ. | |
NA | Song, "Meine Lebenszeit verstreicht" in g |
c. 1798
|
lost [Christian Fürchtegott Gellert] (referred to by Beethoven 1822, in a price list for possible publ. See op.48 in f#. | |
Hess 139 | Song, "Minnesold von Bürger, in Tönen an Amenda ausbezahlt |
c. 1798
|
[Author ?] lost | |
Hess 143 | Song, "An die Freude" |
c. 1798
|
lost [Friedrich von Schiller-"Freude, schöner Götterfunken"] Was early setting of Schiller's "To Joy". Referred to by Ries, 1803. 2 sketches survive from 1798. | |
WoO 120 | Song, "Pour Madame Weissenthurn" |
c.1802
|
[Author?-"Man strebt die Flamme zu verhehlen"] | |
WoO 138 | Song, "Der Jüngling in der Fremde" | [Christian Ludwig Reissig-"Der Frühling entblühet"] | ||
WoO 141 | Song, "Der Gesang der Nachtigall" |
5/1813
|
[Johann Gottfried Herder-"Höre, die Nachtigall singt"] | |
WoO 142 | Song, "Der Bardengeist" |
11/1813
|
[Franz Rudolph Hermann-"Dort auf dem hohen Felsen"] | |
WoO 135 | Song, "Die laute Klage" |
c.1815?
|
[Johann Gottfried Herder-"Turteltaube, du klagest so laut"] | |
WoO 146 | Song, "Sehnsucht" |
early 1816
|
[Christian Ludwig Reissig-"Die stille Nacht umdunkelt"] | |
WoO 151 | Song, "Der edle Mensch sei hilfreich und gut" |
1/1823
|
[Johann Wolfgang von Goethe] | |
Op 88 | Song, "Das Glück der Freundschaft" | [Author?-"Der lebt ein Leben wonniglich"] | ||
WoO 134 | Song, "Sehnsucht" [4 settings] |
early 1808
|
[J.W. von Goethe-"Nur wer die Sehnsucht kennt"] | |
WoO 132 | Song, "Als die Geliebte sich trennen wollte" | [Stephan von Bruening, based on French text by Hoffmann-"Der Hoffnung letzter Schimmer sinkt dahin"] | ||
Op 48 #1 | Song, "Bitten" |
c. 1801
|
[Christian Fürchtegott Gellert-"Gott,deine Güte reicht so weit"] | |
Op 48 #2 | Song, "Die Liebe des Nächsten" |
c. 1801
|
early 1802
|
[C.F.Gellert-"Die Liebe des Nächsten ('So jemand spricht')"] |
Op 48 #3 | Song, "Vom Tode" |
c. 1801
|
[Christian Fürchtegott Gellert-"Meine Lebenszeit verstreicht"] | |
Op 48 #4 | Song, "Die Ehre Gottes aus der Natur" | [C.F. Gellert-"Die Himmel rühmen"] | ||
Op 48 #5 | Song, "Gottes Macht und Vorsehung" | [Christian Fürchtegott Gellert-"Gott ist mein Lied"] | ||
Op 48 #6 | Song, "Busslied" | [Christian Fürchtegott Gellert-"An dir allein"] | ||
Op 48 #7 | Song, "Sechs Leider nach gedichten von Gellert" | [C.F. Gellert] ** ? #7 ** | ||
Op 48 #8 | Song, "Sechs Geistliche Lieder" | [C.F. Gellert] ** ? #8 ** | ||
WoO 131 | Song, "Erlkönig" | [unfinished] | ||
MUSICAL JOKES, QUIPS, MOTTOS AND THEMES
|
||||
WoO 183 | "Bester Herr Graf, Sie sind ein Schaf!" |
2/20/1823
|
musical joke | |
WoO 101 | "Graf, Graf, liebster Schaf" | musical joke | ||
WoO 199 | "Ich bin der Herr von zu" | musical quip [Intended for Archduke Rudolph] | ||
WoO 200 | "Theme for variations, "O Hoffnung" | [Theme for Archduke Rudolph who comp. 40 var's.] | ||
WoO 201 | "Ich bin bereit! Amen", set to music | [In a letter to Vincenz Hauschka - letter 903] | ||
WoO 202 | "Das Schöne zu dem Guten", set to music | [Musical motto] | ||
WoO 203 | "Das Schöne zu dem Guten", set to music | [Musical motto, puzzle cannon] | ||
WoO 204 | "Holz, Holz geigt die Quartette so" | [Musical joke in conversation book of September 1825] | ||
WoO 205a | "Baron, Baron, Baron", musical quip |
c. 1798
|
[In letter Zmeskall, Letter 29] | |
WoO 205b | "Allein, allein, allein", musical quip | [To Count Lichnowsky, Letter 498] | ||
WoO 205c | "O Adjutant", musical quip | [To Haslinger, Letter 742] | ||
WoO 205d | "Wo? Wo?", musical quip | [To Nanette Streicher Letter 789 or 792] | ||
WoO 205e | "Erfüllung, Erfüllung", set to music | [To Archduke Rudolph, Letter 948] | ||
WoO 205f | "Scheut euch nicht", set to music |
c. 1821
|
[To Treitschke, Letter 1068] | |
WoO 205g | "Tobias! Paternostergassler", set to music | [To Haslinger, Letter 1312] | ||
WoO 205h | "Tobias, Tobias", musical setting | [To Haslinger, Letter 1365] | ||
WoO 205i | "Bester Tobias", musical setting | [To Haslinger, Letter 1534] Not Listed, "Ach Tobias", musical quip | ||
WoO 205j | ??? |
???
|
??? | |
WoO 205k | "Erster aller Tobiasse", musical setting | [To Haslinger, Letter 1536] | ||
|
MISCELLANEOUS
IDENT
|
TITLE / INFORMATION
|
DATE
Begun |
DATE
Completed |
MISC. INFO
|
|
EXERCISES WITH HAYDN AND ALBRECHTSBERGER
|
|||
Hess 233
|
~300 simple contrapuntal exercises on cantus firmi | |||
Hess 234
|
~125 exercises in strict counterpoint | |||
Hess 235
|
26 free exercises | |||
Hess 236
|
18 simple 2 part fugues (strict) | |||
Hess 237
|
7 simple 3 part figures (strict) | |||
Hess 238
|
9 simple 4 part figures (strict) | |||
Hess 239
|
3 chorale fugues | |||
Hess 240
|
4 2-part exercises in double counterpoint | |||
Hess 241
|
21 exercises in double counterpoint | |||
Hess 242
|
6 exercises in double counterpoint | |||
Hess 243
|
5 4-part fugues in double counterpoint | |||
Hess 244
|
2 4-part triple fugues | |||
Hess 245
|
Fragment of a fugue in d for string quartet | |||
Hess 246
|
Double fugue in F for 4-part choir | |||
|
||||
|
UNKNOWN IF ACCURATE
|
|||
NC
|
Song, "Vita felice" |
(? Date)
|
||
NC
|
Song, "Mephistos Flohlied" |
(? Date
|
||
|
||||
|
SPURIOUS MUSIC ATTRIBUTED TO BEETHOVEN
|
|||
WoO 17
|
Mödling Dances | spurious, not Beethoven's - referred to by Schindler. | ||
WoO 12
|
12 Minuets | spurious, not Beethoven's - by brother Carl | ||
WoO 16
|
12 Ecossaises, spurious, not Beethoven's | Probably spurious | ||
Anh. 3
|
Piano Trio in D, |
(? Date)
|
Probably spurious | |
Anh. 5
|
2 Sonatinas in G | Probably spurious | ||
Anh. 6
|
Rondo in Bb |
c. 1795
|
Probably spurious | |
WoO 162
|
"Ta ta ta", four-part canon | Spurious - written by Anton Schindler | ||
|