LUDWIG VAN BEETHOVEN
Works by Type

Compiled by Gary D. Evans

Last Updated: March 11, 2017 10:50 AM


SYMPHONIES AND OVERTURES
IDENT
TITLE / INFORMATION
DATE
Begun
DATE
Completed
MISC. INFO
 
SYMPHONIES
     
Op 21 Symphony #1 in C
1799
1800
[To Baron van Swieten]
Op 36 Symphony #2 in D
1801
1802
[To Prince Lichnowsky]
Op 55 Symphony #3 in Eb (Sinfonia Eroica)
1803
[To Prince Lobkowitz, org. Napoleon]
Op 60 Symphony #4 in Bb
1806
Comp. summer 1806; Commissioned for Count Oppersdorff, paid 500 fl.
Op 67 Symphony #5 in c (Fate)
1804
1808
[To Prince Lobkowitz and Count Razumovsky]
Op 68 Symphony #6 in f (Pastoral)
1808
(Spring-Summer1808) [To Prince Lobkowitz & Count Razumovsky]
Op 92 Symphony #7 in A
1811
1812
To Count Fries]
Op 93 Symphony #8 in F
1811
1812
[No dedication]
Op 125 Symphony #9 in d (Choral Symphony)
1824
[To King Friedrich Wilhelm III of Prussia]
Op 91 Victory of Wellington in Eb
aut. 1813
(composed summer-early autumn 1813) [To Prince Regent]
Hess 108 Original version for Maelzel's panharmonicon of op. 91
1813
Second part ["Siegessymphonie"]
No Class. Symphony in C
1795
1796
[Incomplete]
No Class. Symphony #10 in Eb
1822
1825
[Incomplete]
         
 
OVERTURES
     
Op 138
Leonora 1 in C
1805
 
Op 72a
Leonora 2  
1805
 
Op 72b
Leonora 3
1806
 
Op 72c
Fidelio
1814
 
Op 62
Coriolan in c
1807
Ded. To Heinrich Collin, author of tragedy it is based on.
Op 84
Egmont
1809
 
Op 115
Zur Namensfeier
1814
1815
Ded. To Prince Radziwill
Op 113
Die Ruinen von Athen (Ruins of Athens)
1811
 
Op 124
Die Weihe des Hauses (Consecration of the House)
1822
 
Op 117
König Stephan (King Stefan)
1811
 
Op 43
Creatures of Prometheus
1800
1801
 
WoO 1
Ritterballett
c. 1791
 
NC
Overture on B-A-C-H
1822
1825
[Incomplete]
 
 

CONCERTI

IDENT
TITLE / INFORMATION
DATE
Begun
DATE
Completed
MISC. INFO
PIANO
     
Op 15
Piano Concerto #1 in C
c. 1795
1800
[To Princess Barbara Odescalchi]
Op 19
Piano Concerto #2 in Bb
1788
c. 1801
[To Carl Nicklas Edler van Nickelsberg]
Op 37
Piano Concerto #3 in c
1800
1803
[To Prince Louis Ferdinand of Prussia [redisc. in Poland after WWII]
Op 58
Piano Concerto #4 in G
c. 1804
1806
[To Archduke Rudolph
Op 61
Piano Concerto in D
1806
arrangement of the Violin Concerto in D) Ded. To Julie von Breuning.
Op 73
Piano Concerto #5 in Eb (Emperor)
1809
 
WoO 4
Piano Concerto in Eb
c. 1784
Only the piano part w/ orchestral cues survives.
Hess 15
Piano Concerto #6 in D
1815
Incomplete
 
 
VIOLIN
 
Op 61
Violin Concerto D
1806
 
WoO 5
Concerto Movement in C for Violin
1790
1792
Ded. Gerhard von Breuning
 
 
OTHER INSTRUMENTS
 
Op 56
Concerto for Piano, Violin & Cello in C (Triple Concerto)
1804
[To Archduke Rudolph]
Hess 12
Oboe Concerto in F
1790
1793
 
NC
Triple Concerto in D
1802
[Incomplete, ? instruments]
 
 

MISCELLANEOUS ORCHESTRA

IDENT
TITLE / INFORMATION
DATE
Begun
DATE
Completed
MISC. INFO

Op 40

Romance for Violin and Orchestra Accomp. in G

1800
1802
 
Op 50 Romance for Violin and Orchestra Accomp. in F,
1798
1802
 
WoO 2 Two orchestral pieces for Tarpeja: Triumphmarsch in C and Introductory to Act II in D
1813
 
WoO 6 Rondo for Piano and Orchestra in Bb
1793
[Was probably original finale to op.19]
WoO 58 2 Cadenzas, (on Mozart's Piano Concerto K466,mvmnts 1&3)
?1809
[For pupil Ferdinand Ries]
Hess 13 Romance for flute, bassoon, piano and orchestra in e
1786
 
 
 

CHAMBER MUSIC - MISC

IDENT
TITLE / INFORMATION
DATE
Begun
DATE
Completed
MISC. INFO
DUETS
 
WoO 32
Duet for Violin and Cello in Eb
1796
1797
 
WoO 26
Duet for Flutes, Allegro & Minuet
8/1792
 
WoO 27
3 Duets for Clarinet & Bassoon, #1in C, #2 in F, #3 in Bb
1810
1815
 
WoO 34
Duet in A for 2 violins
4/1822
 
       
TRIOS FOR PIANO
 
Op 1 #1
Trio for Piano, Violin and Cello #1 in Eb
1792
1794
 
Op 1 #2
Trio for Piano, Violin and Cello #2 in G
1792
1794
 
Op 1 #3
Trio for Piano, Violin and Cello #3 in c
1792
1794
 
Op 70 #1
Trio for Piano, Violin and Cello #4 in D "Ghost Trio"
1808
 
Op 70 #2
Trio for Piano, Violin and Cello #5 in Eb
1808
 
Op 97
Trio for Piano, Violin and Cello #6 in Bb "Archduke"
1810
1811
 
WoO 39
Trio for Piano, Violin and Cello #8 in Bb Allegretto
1812
 
WoO 38
Trio for Piano, Violin and Cello #8 in Eb
c. 1791
 
Op 44
Trio for Piano, #9 in Eb (14 variations)
c. 1792
 
Op 121a
Trio for Piano, Violin and Cello #10 in G
1816
(Var's on "Ich bin der Schneider", by Kakadu), ()
Op 11
Trio for Clarinet in Bb
1797
1798
Ded: Countess Maria Wilhelmine von Thun
Op 38
Trio for Piano, Clarinet or Violin and Cello in Eb
1802
1803
arrangement of Septet op. 20
WoO 37
Trio Concertante in G for Flute, Bassoon & Piano,
1786
 
Op 36
Trio for Piano
1805
[arrangement of Symphony #2 in D]
Op 63
Trio for Piano, Violin and Cello in Eb
1806
**Arranged by unknown person.
Hess 48
Allegretto in Eb for Piano, Cello, and Violin
1790
1792
 
NC
Trio for Piano in f
1816
[Incomplete] (not classified)
       
TRIOS FOR OTHER INSTRUMENTS
 
Op 3
String Trios in E
1792
1795
 
Op 25
Serenade for Flute, Violin and Viola in D
1795
1796
 
Op 8
Serenade for Viola, Violin and Cello in D
1796
1797
 
Op 9 #1
Trio for Strings in G
1796
1798
 
Op 9 #2
Trio for Strings in D
1796
1798
 
Op 9 #3
Trio for Strings in c
1796
1798
 
Op 87
Trio for Winds in C
c. 1795
 
Hess 29
Prelude and Fugue in e for 2 violins and cello
1794
1795
 
       
STRING QUARTETS
 
Op 18 #1
Quartet #1 in F, "Lobkowitz Quartet"
8/1798
 
Op 18 #2
Quartet #2 in G, "Lobkowitz Quartet"
1798
1800
 
Op 18 #3
Quartet #3 in D, "Lobkowitz Quartet"
1798
1800
 
Op 18 #4
Quartet #4 in c, "Lobkowitz Quartet"
1798
1800
 
Op 18 #5
Quartet #5 in A, "Lobkowitz Quartet"
1798
1800
 
Op 18 #6
Quartet #6 in B, "Lobkowitz Quartet"
1798
1800
 
Op 59#1
Quartet #7 in F, "Razumoviskij" quartets
1805
1806
 
Op 59#2
Quartet #8 in e, "Razumoviskij" quartets
1805
1806
 
Op 59#3
Quartet #9 in C, "Razumoviskij" quartets
1805
1806
 
Op 74
Quartet #10 Eb, Harp quartet
1809
Ded to Prince Lobkowitz
Op 95
Quartet #11 f
1810
Ded to Nikolaus Zmeskall
Op 127
Quartet #12 E
1824
1825
 
??
Quartet in F
1801
1802
(Arranged from Piano Sonata in E, op. 14 #1)
Hess 36
String quartet
c. 1798
arr. of the fugue from Overture to Handel's Solomon
Hess 38
String quartet
1801
1802
arr. of Bach's Fugue in bb from Book 1 of the '48'
Op 130
Quartet #13 B
1825
1826
Ded to Prince Nikolas Galitzin
Op 131
Quartet #14 c#
1825
1826
Ded to Baron Joseph von Stutterheim
Op 132
Quartet #15 a
1825
Ded to Prince Nikolas Galitzin
Op 135
Quartet #16 F, "Serious"
1826
after Sonata, op. 14 #1; 1st perf. 3/23/1828; Ded to Johann Wolfmayer; Theme of 3'd movement originally assoc. w/ finale of op. 131
Op133
Quartet B
1825
(Grosse Fuge, originally the finale in op.130)
Hess 30
Prelude & Fugue in F & C for 2 violins, 1 viola and 1 cello
1794
1795
 
Hess 34
String Quartet in F, (Arranged from Piano Sonata in E, op. 14 #1)
1801
1802
 
       
QUINTETS
 
Op 16 #1
Quintet for Piano, Oboe, Clarinet and Bassoon in Eb
5/1796
7/1796
 
Op 16 #2
Quintet for Piano, Oboe, Clarinet and Bassoon in Eb
5-7/1796
 
Op 29
Quintet for Strings in C
1801
Ded to Count Fries
Op 4
Quintet for Strings in Eb
1795
Recomposition of Octet op. 103
Op 104
Quintet arr. of Piano Trio in c (op. 1 #3 )
8/14/1817
(Arr.'d by Kaufmann, corrected by Beethoven)
Op 137
Fugue in D for string quintet
11/28/1817
 
Hess 19
Quintet in Eb
?1793
 
Hess 39
Quintet in F  
(? Date)
[lost]
Hess 40
, Prelude and Fugue in d
1817
Fugue part not completed
WoO 62
, String quintet in C, (1826-7) unfinished
 
       
SEXTETS
 
Op 81b
Sextet for Horns and Strings in Eb
1795?
 
Op 71
Sextet for Winds in Eb
1796
 
       
SEPTETS
 
Op 20
Septet for Violin,Viola, Clarinet, Horn, Bassoon, Cello & Double Bass Eb
1798
1800
Theme from op49#2
OCTETS
 
OCTET
     
Op 103
Octet for Winds in Eb
11/1792
Written in Bonn then rev. in Vienna 1793. Later recomposed as op 4
       
CHAMBER SONATAS - CELLO
 
Op 5 #1
Sonata for Cello #1 in F, Mozart Var.
5/1796
7/1796
[Cmp in Berlin for court cellist Jean-Louis Duport]
Op 5 #2
Sonata for Cello #2 in g, Handel Var.
5/1796
7/1796
[Cmp in Berlin for court cellist Jean-Louis Duport]
Op 69
Sonata for Cello #3 in A
1807
1808
Ded to Baron Gleichenstein
Op 102 #1
Sonata for Cello #4 in C
c. 5/1815
 
Op 102 #2
Sonata for Cello #5 in D
1815
 
Op 64
Sonata in Eb for Cello and Piano
(? Date)
pub. 1807; (** arranged from String Quintet op. 4 by someone else)
       
CHAMBER SONATAS - VIOLIN
 
Op12 #1
Violin Sonata #1 in D
1798
 
Op12 #2
Violin Sonata #2 in A
1798
 
Op12 #3
Violin Sonata #3 in E
1798
 
Op 23
Violin Sonata #4 in a (Mozart Variations)
1800
 
Op 24
Violin Sonata #5 in F (Spring Sonata)
1800
 
Op 30 #1
Violin Sonata #6 in A
1802
Ded to Czar Alexander I of Russia
Op 30 #2
Violin Sonata #7 in c
1802
Ded to Czar Alexander I of Russia
op. 30 #3
Violin Sonata #8 in G (Allegro Vivace)
1802
Ded to Czar Alexander I of Russia
Op 47
Violin Sonata #9 in A (Kreutzer Sonata)
1802
1803
 
Op 96
Violin Sonata #10 in G (Mozart Variations)
1812
Written for Rode who performed it 12/29/1812
Hess 46
Violin Sonata in A
1790
1792
 
       
CHAMBER SONATAS - OTHER
 
Anh 4
Sonata in Bb for Flute
1790
Possibly spurious. Found w/ Beethoven's papers in another hand.
Op 17
Sonata for Horn in F, ()
1800
Ded to Baroness Braun
WoO 43 #1
Sonatina: Adagio fo1 in G for Violin and Orchestra, (-)
1800
1802
 
Op 50
Romance #2 in Fr Mandolin in c,
2/1796
4/1796
[for Countess Josephine de Clarary in Prague]
       
OTHER CHAMBER - STRINGS
 
Op 40
Romance # for Violin and Orchestra
c. 1798
 
WoO 44 #1
Andante & Variations for Mandolin in C
2/1796
4/1796
[for Countess Josephine de Clary in Prague]
WoO 44 #2
Andante & Variations for Mandolin in D
2/1796
4/1796
[for Countess Josephine de Clary in Prague]
WoO 43 #2
Adagio for Mandolin in Eb
1796
Dedicated to Countess Josephine de Clarary.
       
OTHER CHAMBER - WINDS
 
WoO 30
3 Equale for Trombones
10/1812
Written for Franz Glöggl, Kapellmeister at Linz Cathedral
Hess 297
Adagio in Ab for horns
1815
 
       
OTHER CHAMBER - OTHER
 
WoO 33
Five pieces for Count Deym's mechanical clock
1799
including Adagio in F#1
WoO 25
Rondo in Eb
1793
 
WoO 41
Rondo for pianoforte and violin in G
1793
1794
 
Op 41
Serenade for pianoforte and flute/violin in D
c. 1802
1803
arrangement of Serenade op. 25
Op 42
Nocturne for pianoforte and viola in D
c. 1802
1803
(arrangement of op. 8)
       
CHAMBER MUSIC VARIATIONS
 
WoO 28
Variations for 2 oboes & horn in C, on "La' ci darem" from Mozart's "Don Giovanni"
c. 1795
 
Op 66
Var.'s for Pianoforte & Cello in F
?1796
on "Ein Mädchen oder Weibchen" from Mozart's Magic Flute [See trio variations for piano, Violin and Cello above op.44, op121a]
 
 

PIANO MUSIC

IDENT
TITLE / INFORMATION
DATE
Begun
DATE
Completed
MISC. INFO
PIANO SONATA STUDIES
 
WoO 47#1 Pianoforte Sonata in Eb
1782
1783
[Published 10/14/83] Ded Archbishop Maximilian Friedrich
WoO 47#2 Pianoforte Sonata in f
1782
1783
Ded Archbishop Maximilian Friedrich
WoO 47#3 Pianoforte Sonata in D
1782
1783
Ded Archbishop Maximilian Friedrich
WoO 51 Easy Pianoforte Sonata in C, a fragment
1791
1793
[portions lost] Ded Eleonore von Breuning
WoO 50 2 movements of a Sonata in F
1790
1792
Ded to Franz Wegeler
       
PIANO SONATAS
 
Op 2 #1 Sonata #1 in f
1796
Ded. To Haydn
Op 2 #2 Sonata #2 in A
1796
Ded. To Haydn
Op 2 #3 Sonata #3 in C, Finale
1796
Ded. To Haydn
Op 7 Sonata #4 in Eb
1796
1797
Ded to Countess Keglevics
Op 10 #1 Sonata #5 in c
1796
Ded to Countess Browne
Op 10 #2 Sonata #6 in F
1795
1798
Ded to Countess Browne
Op 10 #3 Sonata #7 in D
1795
1798
Ded to Countess Browne
Op 13 Sonata #8 in c, Pathétique
1798
1799
Ded to Prince Lichnowsky
Op 14 #1 Sonata #9 in E
4/1798
7/1798
Ded to Baroness Braun
Op 14 #2 Sonata #10 in G
1798
1799
Ded to Baroness Braun
Op 22 Sonata #11 in Bb
1799
1800
Ded to Count Browne
Op 26 Sonata #12 in Ab
1800
1801
Ded Prince Lichnowsky [3'd mvmnt arg'd for Funeral March WoO96]
Op 27 #1 Sonata #13 in Eb, (Sonata quasi una fantasia Sonata)
1800
1801
Ded Princess von Liechtenstein
Op 27 #2 Sonata #14 in c#, (Sonata quasi una fantasia) "Moonlight"
1801
Ded Countess Guicciardi
Op 28 Sonata #15 in D, Pastoral Sonata
1801
Ded to Joseph Sonnenfels
Op 31 #1 Sonata #16 in G
1801
1802
Commissioned by publisher
Op 31 #2 Sonata #17 in d
1801
1802
Commissioned by publisher
Op 31 #3 Sonata #18 in Eb
1801
1802
Commissioned by publisher
Op 49 #1 Sonata #19 in g
c. 1797?
 
Op 49 #2, Sonata #20 in G
1796
 
Op 53 Sonata #21 in C, Waldstein sonata
11/1803
12/1803
[WoO 57 used as 2'd movement] Ded to Ct Waldstein
Op 54 Sonata #22 in F
4/1804
9/1804
 
Op 57 Sonata #23 in f, Appassionata
1804
1805
Ded to Count Brunsvik
Op 78 Sonata #24 in F#
1809
Ded Therese Brunsvik, commissioned by Clementi
Op 79 Sonata #25 in G
1809
commissioned by Clementi
Op 81a Sonata #26 in Eb, Les adieux, Das Lebewohl
1809
1810
Ded to Archduke Rudolf
Op 90 Sonata #27 in e
c. 6/1814
Ded to Count Lichnowsky
Op 101 Sonata #28 in A
4/1816
11/1816
Ded to Baroness Ertmann
Op 106 Sonata #29 in Bb, Hammerklaver Sonata
c. Aut 1817
1817
Ded to Archduke Rudolf
Op 109 Sonata #30 in E
1820
Ded to Maximiliane Brentano. Commissioned by publisher
Op 110 Sonata #31 in Ab
1820
1822
Commissioned by publisher.
Op 111 Sonata #32 in c
1821
1822
Ded to Archduke Rudolf. Commissioned by publisher.
       
PIANO SOLO - VARIATIONS
(see also chamber trios)
 
WoO 63 9 Variations for Piano in c
1782
on March by Dressler; 1st pub. Wk. Ded:Countess Wolf-Metternich
       
PIANO PLUS OTHER INSTRUMENTS
 
WoO 40 12 Variations for Piano & Violin in F
1793
on "Se vuol ballare" from Mozart's N. di Figaro
WoO 45 12 Variations for Cello & Piano in G,
1796
on a theme in Handel's "Judas Maccabeus"
WoO 46 Variations for Cello & Piano in Eb
1801
on "Bei Männern, welche Liebe Fühlen" from Magic Flute (Mozart)
WoO 66 13 Variations for Piano and Cello in A
1792
on "Es war einmal ein alter Mann" from Dittersdorf's Das rote Käppchen
Op 105 6 Themes with variations for Pianoforte with flute or violin accomp.
1817
1818
Ad libitum
Op 107 10 Themes with Variations for Pianoforte with flute or violin accomp.
1817
1818
Ad libitum
       
PIANO - NOT YET CLASSIFED W/ RESPECT TO SOLO VS. OTHER INSTRUMENTS
 
WoO 68 12 Variations in C
1795
on "Menuett a la Vigano' from Haibel's ballet Le nozze disturbate
WoO 69 9 Variations in C
1795
on "Quant' e' piu bello" by Paisiello's La molinara
WoO 70 6 Variations in G
1795
on "Nel cor Piu non mi sento" from Paisiello's La molinara
WoO 71 12 Variations in A
11/1796
on the Russian Dance in Paul Wranitzky's ballet "Das Waldmadchen"
WoO 73 10 Variations (Salieri) in B
1799
on "La stessa la stessissima" by Salieri
WoO 75 7 Variations in F, "Kind, willst du ruhig schlafen
1799
from Winter's Das unterbrochene Opferfest
WoO 76 6 Variations in F
1799
on "Tändeln und Scherzen" from Süsmayr's Soliman II
WoO 77 6 Variations in G
1800
on an original Theme
Op 34 6 Variations in F
1802
on original theme. Ded to Princess Odescalchi
Op 35 15 variations on a theme for fuga in Eb [Eroica Var]
1802
 
WoO 78 7 Variations in C,
1803
on "God save the King"
WoO 79 5 Variations in D
1803
"Rule Brittania"
WoO 80 32 Variations in c
c. 11/1806
on an original theme
Op 76 6 variations over own theme in D
1809
Later used for Ruins of Athens, Turkish march
Op 120 33 variations over waltz by Anton Diabelli
1819
1823
Ded to Antonie Brentano
WoO 74 6 Variations for Piano duet.
1799
1804
Theme to opening stanza, Goethe's poem "Ich denke dein"
WoO 64 6 Variations for Harp or Piano in F
1791
on a Swiss Song
WoO 72 8 Variations in C
c. 1795
on "Une fievre brulante' " by Grettry's Richard Coeur de Lion
WoO 65 24 Variations in D
c. 7/1791
8/1791
on Arietta "Venni Amore" by Righini
       
PIANO RONDOS
 
Op 129 Rondo a capriccio G,
1795
"Die Wut über den verlorenen Groschen" not completed
Op 51#1 Rondo in C
1797
 
Op 51 #2 Rondo in G
1802
 
WoO 48 Rondo for Piano in C
1783
 
WoO 49 Rondo for Piano in A
1783
 
       
PIANO 4 HANDS
 
Op 6 Sonata for Piano Duet in D
1796
1797
 
WoO 67 8 Variations for Pianoforte duet in C
1791
1792
on a theme comp. by Count von Waldstein; published 1794
Op 45 #1 March for Pianoforte duet in C
8/1803
 
Op 45 #2 March for Pianoforte duet in Eb
8/1803
 
Op 45 #3 March for Pianoforte duet in D
8/1803
 
Op 134 Pianoforte duet in Bb
1826
(Fuge for piano) (Arrangement by Beethoven of op 133)
       
OTHER PIANO
 
WoO 57 "Andante favori", Andante for pianoforte in F
1803
1804
org. middle movement in sonata op.53
Op 33 7 Bagatelle
1782
1802
 
WoO 59 Für Elise
1810
 
Op 119 11 Bagatelle in g, c, D, A, c, G, C, C, a, A, Bb
1820
1823
 
Op 126 6 Bagatelle in G, g, Eb, b, G, Eb
1823
 
WoO 54 Lustig-traurig" in C
1802
 
WoO 81 Allemande in A
c. 1793
revised 1822
Hess 64 Fugue in C
1795
 
WoO 52 Presto in c
c. 1795
revised 1798 and 1822; Originally intended for Piano Sonata
Op 10 #1 Allegretto in c
c. 1795
1796
rev. 1822 - ?Hess 69?
WoO 55 Prelude in f
c. 1803
 
WoO 61 Allegretto in b
1821
 
WoO 61a Allegretto quasi andante in g
1825
Ded to Sarah Burneglage
WoO 60 Bagattelle in Bb
1818
 
WoO 36 Three piano quartets in Eb, D, C
1785
 
WoO 53 Allegretto in c for piano
1796
1797
 
WoO 57 Andante Favori (Andante for pianoforte in F)
1803
1804
 
Op 39 Preludes for Organ or Piano through all 12 major keys #1 & #2 in C
c. 1789
Published 1803
WoO 31 Fugue for Organ
c. 1783
 
Op 77 Fantasia in g
1809
Dedicated to Count Brunsvik. Comissioned by Clementi
Op 89 Polonaise in C
c. 12/1814
Composed for Empress of Russia who is in Vienna for the Congress
WoO 56 Bagatelle in C for pianoforte (Allegretto)
1803
 
Hess 65 Concert Finale in C
1820
1821
(Arrangement of coda and finale of 3'd Piano Concerto, op. 37)
Hess 87 Piano arr. of March in Bb (WoO 29)
1797
1798
for 6 wind instruments
Hess 88 Piano arrangement of Minuet in Ab (Hess 33)
1790
1792
for string quartet
Hess 89 Piano arrangement of Ritterballett (WoO 1)
(? Date)
 
Hess 90 Piano arr. of Die Geschöpfe des Prometheus (op. 43)
1801
 
Hess 93-95 A simplified setting and 2 keyboard vrs of Clärchen's Lied, #4 of Egmont (op.84)
1810
 
Hess 97 Piano arrangement of Wellingtons Sieg (op.91)
1816
 
Hess 99 Piano arrangement of Military March in F (WoO 18)
1809
 
Hess 100 Piano versions of WoO 8
(? Date)
 
Hess 101 Piano version of WoO 7
(? Date)
 
Hess 102 Piano version of WoO 14
(? Date)
 
 
 

DANCES & MARCHES

IDENT
TITLE / INFORMATION
DATE
Begun
DATE
Completed
MISC. INFO
DANCES
 
Hess 33 Minuet in Ab,
1790
1792
 
WoO 7 12 Minuets in D, Bb, G, Eb, C, A, D, Bb, G, Eb, C, F
1795
[comp. for Grand ball of the Gesellshaft der bildenden Künstler]
WoO 8 12 German Dances in C, A, F, Bb, Eb, G, C, A, F, D, G, C
1795
 
WoO 9 6 Minuets in Eb, G, C, F, D, G
1795
 
WoO 10 6 Minuets in Eb, G, C, F, D, G
1795
 
WoO 42 6 German Dances in F, D, F, A, D, G
1796
Ded. To "The two Countesses Thur" - Probably wife of Prince Lichnowsky and one of her 2 sisters was wife of Count Razumovsky and their mother was former patroness of Mozart and Haydn.
WoO 13 12 German Dances in D, Bb, G, D, F, Bb, D, G, Eb, C, A, D
1792
1797
 
WoO 11 7 Ländler all in D
1799
 
WoO 14 12 Contradanses in C, A, D, Bb, Eb, C, Eb, C, A, C, G, Eb
1791
1801
 
WoO 15 6 Ländler in D, D, D, d, D, D
1802
 
WoO 82 Minuet for Piano in Eb
1803
 
WoO 83 6 Ecossaise for pianoforte, all in Eb
c. 1806
 
WoO 21 Polonaise in D
1810
 
WoO 22 Ecossaise in D
1810
 
WoO 23 Ecossaise in G
c. 1810
 
WoO 2a Triumphal March in C
1813
for C. Kuffner's tragedy "Tarpeja"
WoO 3 Gratulations Menuett in Eb, (1822)
11/3/1822
Ded to Karl Holz but written as tribute to Karl Hensler 1st perf. 11/3/1822
WoO 84 Waltz for Piano in Eb
1824
 
WoO 85 Waltz for Piano in D
1825
 
WoO 86 Ecossaise for Piano in Eb
1825
 
 
 
MARCHES
 
WoO 18 #1 March for Military Music in F
1809
1810
Added Trio 1822; Ded to Archduke Anton
WoO 18 #2 March for Military Music in F
1810
 
WoO 19 March in F (???? WoO 18 ????)
6/1810
added Trio in F 1822
WoO 20 March for Military Music in C
?c. 1810
added Trio in F 1822
WoO 24 March for Military Music in D
6/1816
 
WoO 29 March in Bb
1797
1798
[also considered chamber piece with winds]. See Hess 107
Hess 107 Grenadiermarsch for mechanical clock in F
(? Date)
[20 bar march by Haydn, arrangement of WoO 29]
Op 114 March with chorus from "Die Ruinen von Athen"
1811
arranged for "Die Weihe des Hauses
 
 

VOCAL, LITURGICAL & STAGE

IDENT
TITLE / INFORMATION
DATE
Begun
DATE
Completed
MISC. INFO
OPERA
 
Op 72, #1 Fidelio
1805
originally Leonore written 1804-5, rewritten Leonore 1806, final version Fidelio 1814] Leonore I
Op 72 Overture Leonore #2 in C
1804
1805
(Andante con moto - Allergro con brio) Act 1 1. Aria (Marzelline) "O, wär ich schon" 2. Duet (Marzelline, Jaquino) "Jetzt, Schätzen, jetzt" 3. Trio (Marzelline, Jaquino, Rocco) "Ein Mann ist bald genommen" 4. Quartet (Marzelline, Leonore, Jaquino, Rocco) "Mir is so wunderbar" 5. Aria (Rocco) "Hat man nicht auch Gold" 6. Trio (Marzelline, Leonore, Rocco) "Gut, Söhnchen, gut" Act II 7. March 8. Aria (Pizarro) with Chorus "Ha, welch ein Augenblick" 9. Duet (Pizarro, Rocco) "Jetzt, Alter" 10. Duet (Marzelline, Leonore) "Um in der Ehe" 11. Recit. and Aria (Leonore) "Ach, brich noch night" "Komm Hoffnung" 12. Finale (Prisoners, Marzelline, Leonore, Pizarro, Rocco) "O welche Lust" Act III 13. Introduction, Recit. and Aria (Florestan) "Gott, welch Dunkel" "In des Lebens Frühlingstagen" 14. Duet (Leonore, Rocco) "Nur hurtig fort" 15. Trio (Leonore, Florestan, Rocco) "Euch werde Lohn" 16. Quartet (Leonore, Florestan, Pizarro, Rocco) "Er sterbe!" 17. Recit. and Duet (Leonore, Florestan) "Ich kann mich noch night fassen" "O namenlose Freude" 18. Finale (Prisoners, townspeople, Leonore, Marzelline, Florestan, Pizarro, Rocco, Don Fernando, Jaquino) "Zur Rache"
Op 72#2 Leonore II
1806
Opera w/ overture Leonore #3 in C (Adagio - Allegro) Act 1 1. Aria (Marzelline) "O, wär ich schon" 2. Duet (Marzelline, Jaquino) "Jetzt, Schätzen, jetzt" 3. Quartet (Marzelline, Leonore, Jaquino, Rocco) "Mir is so wunderbar" 4. Trio (Marzelline, Leonore, Rocco) "Gut, Söhnchen, gut" 5. March 6. Aria (Pizarro) with Chorus "Ha, welch ein Augenblick" 7. Duet (Pizarro, Rocco) "Jetzt, Alter" 8. Recit. and Aria (Leonore) "Ach, brich noch night" "Komm, Hoffnung, lass den letzten Stern" 9. Duet (Marzelline, Leonore) "Um in der Ehe" 10. Trio (Marzelline, Jaquino, Rocco) "Ein Mann ist bald genommen" 11. Finale (Prisoners, Marzelline, Leonore, Pizarro, Rocco) "O welche Lust" Act II 12. Introduction, Recit. and Aria (Florestan) "Gott, welch Dunkel" "In des Lebens Frühlingstagen" 13. Duet (Leonore, Rocco) "Nur hurtig fort" 14. Trio (Leonore, Florestan, Rocco) "Euch werde Lohn in bessern Welten" 15. Quartet (Leonore, Florestan, Pizarro, Rocco) "Er sterbe!" 16. Recit. and Duet (Leonore, Florestan) "Ich kann mich noch night fassen" "O namenlose Freude" 17. Finale (Prisoners, townspeople, Leonore, Marzelline, Florestan, Pizarro, Rocco, Don Fernando, Jaquino) "Zur Rache"
Op 72#3 Fidelio III Opera w/ overture Fidelio in E (Allegro)
1814
Act I 1. Duet (Marzelline, Jaquino) "Jetzt, Schätzen, jetzt" 2. Aria (Marzelline) "O wär ich schon mit dir vereint" 3. Quartet (Marzelline, Leonore, Jaquino, Rocco) "Mir ist so wunderbar" 4. Aria (Rocco) "Hat man nicht augh Gold" 5. Trio (Marzelline, Leonore, Rocco) "Gut, Söhnchen, gut" 6. March 7. Aria (Pizzarro) with Chorus "Ha, welch ein Augenblick" 8. Duet (Pizarro, Rocco) "Jetzt, Alter" 9. Recit. And Aria (Leonore) "Abscheulicher! Wo eilst du hin?" "Komm, Hoffnung" 10. Finale (Prisoners, Marzelline, Leonore, Jaquino, Pizarro, Rocco) "O welche Lust" Act II 11. Intro., Recit. and Aria (Florestan) "Gott welch Dunkel hier!" "In des Lebens Frühlingstagen" 12. Melodrama and duet (Leonore, Rocco) "Wie kalt ist es" "Nur hurtig fort" 13. Trio (Leonore, Florestan, Rocco) "Euch werde Lohn" 14. Quartet (Leonore, Florestan, Pizarro, Rocco) "Er sterbe!" 15. Duet (Leonore, Florestan) "O namelose Freude" 16. Finale (Prisoners, townspeople, Leonore, Marzelline, Florestan, Pizarro, Rocco, Don Fernando, "Heil sei dem Tag"
Op 84 Egmont Opera w/ overture in f Sostenuto ma non troppo - Allegro
1809
1810
and Incidental music, 1. Aria (Clärchen) "Die Trommel gerühret" 2. Zwischenakt I 3. Zwischenakt II 4. Aria (clärchen) "Freudvoll und leidvoll" 5. Zwischenakt III 6. Zwischenakt IV 7. Musik, Clärchens Tod bezeichnend 8. Melodrama (Egmont) "Süsser Schlaf!" 9. Siegessymphonie S solo, male v (spoken)
Hess 115 , Opera Vestas Feuer
1803
Unfinished
 
 
PLAYS
 
Op 113 Die Ruinen von Athen
1811
[Play by von Kotzebue] Overture in g-G 1. Chorus "Tochter des mächtigen Zeus! 2. Duet (Greek man and woman) "Ohne Verschulden" 3. Chorus (Dervishes) "Du hast in deines Armels" 4. Marcia alla Turca 5. Musik hinter der Scene 6. March, Chorus and Recit. (Hight Priest) "Schmückt die Altäre" - "Mit reger Freude" 7. Chorus and Aria (Hight Priest) "Wir tragen empfängliche Herzen" - "Will unser Genius" 8 Chorus "Heil unserm König"
Op 117 König Stephan
1811
[Play by von Kotzebue] Overture in Eb 1. Chorus (men) "Ruhend von seinen Taten" 2. Chorus (men) "Auf dunklem Irrweg" 3. Siegesmarsch 4. Chorus (women) "Wo die Unschuld 5. Melodrama (Stephan) "Du hast dein Vaterland" 6. Chorus "Eine neue strahlende Sonne" 7. Melodrama (Stephan) "Ihr edlen Ungarn" 8. March, Chorus and Melodrama (Stephan) "Heil unserm Könige" - "Ich schmücke ehrfurchtsvoll" 9. Chorus "Heil unsern Enkeln" Male and female v (spoken)
WoO 96 Leonore Prohaska
c. 3/1815
[Incidental music, written for drama by Duncker] 1. Chorus (warriors) "Wir bauen und sterben" 2. Romanze (soprano) "Es blüht eine Blume" 3. Melodrama "Du, dem sie gewunden" 4. Trauermarsch [arranged from piano sonata op. 26]
Hess 118 Complete music for Die Weihe des Hauses
1822
[adapted from Die Ruinen von Athen, op. 113]
 
 
BALLET
 
WoO 1 Musik zu einem Ritterballett
1790
1791
1. March 5 War Dance 2. German Song 6. Drinking Song 3. Hunting Song 7. German Song 4. Love Song 8. Coda op. 43, Ballet: Die Geschöpfe des Prometheus (The Creatures of Prometheus), (1800-1) Overture in C Introduction: La Tempesta 1. Poco adagio - Allegro con brio 9. Adagio 2. Adagio - Allegro con brio 10. Pastorale 3. Allegro vivace 11. Andante 4. Maestoso - Andante 12. Solo de Gioja 5. Adagio - Andante quasi Allegretto 13. Allegro 6. Un poco Adagio - Allegro 14. Solo della Cassentini 7. Grave 15. Solo di Vigano 8. Allegro con Brio 16. Finale
 
 
MASSES
 
Op 86 Mass in C
1807
 
Op 123 Missa Solemnis in D
1819
1823
 
NC Mass in c#
1823
1824
[Incomplete]
 
 
CANTATA
 
WoO 87 Cantata on the Death of Emperor Joseph II
1790
[Joseph II died 2/20/1790]
WoO 88 Cantata on the Elevation of Leopold II
9/1790
10/1790
[Leopold II elected emperor 9/30/1790] ??? Cantata Un lieto brindisi, written for name-day of Giovanni Malfatti (St. John's Day) (6/1814).
Op 136 Cantata for four solo voices, chorus and orchestra
10/1814
11/1814
"Der glorreiche Augenblick"
WoO 103 Un lieto brindisi: Cantata campestre
6/1814
 
 
 
MULTIPLE VOICES WITH ORCHESTRA
 
Op 80 Coral Fantasy for Piano, Chorus and Orchestra
12/1808
Ded. To King Maximilian Joseph of Bavaria
Op 116 Trio for soprano, tenor and bass w/ orchestral accomp.
1801
1814
"Tremate, empi, tremate", **? Solo
WoO 95 Chorus w/ orchestra
1814
"Die verbundeten Fursten"
Op 112 Chorus w/ orchestral accomp.
3/3/1813
1815
"Meeresstille und Glückliche Fahrt"
WoO 97 Song,"Es ist vollbracht" for bass voice, chorus & orch.
1815
Treitschke's Singspiel Die Ehrenpforten
WoO 98 Song, Chorus w/ soprano solo and orch.
1822
For "Die Weihe des Hauses"
WoO 94 Song, "Germania" bass w/chorus & orch.
1814
for G.F.Treitschke's Singspiel "Die gute Nachright"
Op 121b Song, "Opferlied" for soprano, chorus and orch.
1824
 
WoO 93 Duet "Nei giorni tuoi felici"
1802
1803
for soprano and tenor with orchestra, ** ? Solo
 
 
SOLO VOICE WITH ORCHESTRA
 
WoO 92 Soprano aria
c. 1791
 
WoO 89 Prufung des Kussens
1790
 
WoO 90 Mit Madeln sich vertragen
1790
 
Op 65 Scena and aria (for soprano voice and orchestra)
1796
"Ah! perfido"
WoO 92a No, non Turbarti
early 1802
 
WoO 91 2 arias in Bb
c. 1795
"O welch ein Leben" in F; "Soll ein Schuh nicht drünken?"
 
 
VOCAL WORKS WITH CHORUS
 
Op 118 Elegischer Gesang
7/1814
 
WoO 99 Italian Partsong
1801
1802
 
WoO 100 Lob auf den Dicken: Musikalischer Scherz
late 1801
 
WoO 102 Song, "Abschiedsgesang" for three male voices a cappella
1814
 
WoO 104 Song, for three male voices. Song of the monks (Gesang der Mönche) in Schiller's Wilhelm Tell
5/3/1817
In memory of his friend Krumpholz who died the previous day.
Op 122 Song, "Bundeslied" for voices w/ wind instrument accompaniment
1822
1823
 
WoO 106 Song, "Lobkowitz-Kantate"
4/1823
 
Op 85 Oratorio, Christ on the Mount of Olives
1803
 
WoO 105 Song, "Hochzeitslied" Wedding song for tenor solo and chorus, w/ pianoforte acc.
1/1819
 
Hess 91 Arr. of Opferlied (op. 121b) for soprano, choir and piano
(? Date)
Pub. 1825
Op 118 Elegischer Gesang (Elegiac Song)
7/1814
Composed for performance 8/5/1814
 
 
VOCAL WITH PIANO ACCOMPANYMENT
 
WoO 112 Song, "An Laura"
c. 1792
[Friedrich von Matthisson]
WoO 114 Song, "Ein Selbstgespräch"
1792
[J.W.L. Gleim]
Op 46 Song, "Adelaide"
c. 11/1796
[Friedrich von Matthisson]
WoO 126 Song, "Opferlied"
1794
1802
Initially 1794-5 rev. 1801-2) [Friedrich von Matthisson]
WoO 127 Song, "Neue Liebe, neues Leben"
1798
1799
[Johann Wolfgang von Goethe]
Op 52 #1 Song, "Urians Reise um die Welt"
1792
1803
[Matthias Claudius]
Op 52 #2 Song, "Feuerfarb" (1792-1803)
1792
1803
[Sophie Mereau]
Op 52 #3 Song, "Das Liedchen von der Ruhe"
1792
1803
[Wilhelm Ueltzen]
Op 52 #4 Song, "Maigesang"
1792
1803
[Johann Wolfgang von Goethe]
Op 52 #5 Song, "Mollys Abschied"
1792
1803
[Gottfried August Bürger]
Op 52 #6 Song, "Die Liebe"
1792
1803
[Gotthold Ephraim Lessing]
Op 52 #7 Song, "Marmotte"
1792
1803
[Johann Wolfgang von Goethe]
Op 52 #8 Song, "Das Blümchen Wunderhold"
1792
1803
[Gottfried August Bürger]
Op 32 Song, "An die Hoffnung"
1805
Strophic, later vers.
Op 94 thru composed.
(? Date)
[Christoph August Tiedge]
WoO 133 Song, "In questa tomba oscura"
1806
1807
[Giuseppe Cargani]
Op 75 #1 Song, "Mignons Lied"
1809
[Johann Wolfgang von Goethe]
Op 75 #2 Song, "Neue Liebe, neues Leben"
1809
[Johann Wolfgang von Goethe]
Op 75 #3 Song, "Aus Goethes Faust"
1809
[Johann Wolfgang von Goethe-"Es war einmal ein König"]
Op 75 #4 Song, "Gretels Warnung"
1809
[Gerhard Anton von Halem-"Mit Liebesblick und Speil"]
Op 75 #5 Song, "An den fernen Geliebten"
1809
[Christian Ludwig Reissig -"Einst wohnten süsse Ruh"]
Op 75 #6 Song, "Der Zurfriedene"
1809
[Christian Ludwig Reissig -"Zwar schuf das Glück"]
Op 82 #1 Song, "Hoffnung"
1796
1809
[?Author-"Dimmi, ben mio"]
Op 82 #2 Song, "Liebes-Klage"
1796
1809
[Pietro Metastasio-"T'intendo, si, mio cor"]
Op 82 #3 Song, "L'amante impatiente" arietta buffa
1796
1809
[Pietro Metastasio-"Che fa il mio bene"]
Op 82 #4 Song,"L'amante impatiente"arietta assai seriosa
1796
1809
[Pietro Metastasio"Che fa il mio bene"]
Op 82 #5 Song "Lebens-Genuss"
1796
1809
[[Pietro Metastasio"Odi l'aura che dolci sospira"]
WoO 136 Song, "Andenken"
1808
[Friedrich von Matthisson]
WoO 137 Song, "Lied aus der Ferne"
1809
[Christian Ludwig Reissig]
Op 83 #1 Song, "Wonne der Wehmut"
1810
("Trocknet night")
Op 83 #2 Song, "Sehnsucht"
1810
("Was zieht mir das Herz")
Op 83 #3 Song, "Mit einem gemalten Band"
1810
("Kleine Blumen")
WoO 140 Song, "An die Geliebte"
12/1811
1814
2nd ver ( rev. ) ("O dass ich dir vom stillen Auge")
WoO 143 Song, "Der Kriegers Abschied"
late 1814
[Christian Ludwig Reissig-"Ich Zieh' ins Feld"]
WoO 144 Song, "Merkenstein"
1814
[Johann Baptist Rupprecht]
Op 94 Song, "An die Hoffnung"
1813
1815
[Christoph August Tiedge-"Ob ein Gott sei"]
Op 100 Song, "Merkenstein"
1814
1815
[Johann Baptist Rupprecht]
WoO 145 Song, "Das Geheimnis"
1815
[Ignaz von Wessenberg-"Wo blüht das Blümchen"]
WoO 147 Song, "Ruf vom Berge"
12/1816
[Friedrich Treitschke-"Wenn ich ein Vöglein wär"]
Op 98 Song, , An die ferne Geliebte
c. 4/1816
(six poems by A. Jeitteles, ) "To the Distant Beloved"
Op 99 Song, "Der Mann von Wort"
5/1816
[Friedrich August Kleinschmid-"Du sagtest, Freund"]
WoO 148 Song, "So oder so"
early 1817
[Carl Lappe-"Nord oder Süd]
WoO 149 Song, "Resignation"
early 1817
[Paul von Haugwitz-"Lisch aus, mein Licht] early sketches c.1814
WoO 150 Song, "Abendlied unterm gestirnten Himmel"
1820
[Heinrich Goeble"Wenn die Sonne nieder sinket"]
Op 128 Arietta "Der Kuss"
11/1822
12/1822
[Christian Felix Weisse-"Ich war bei Chloen ganz allein"]sk'ed1798
WoO 129 Song, "Der Wachtelschlag"  
1803
[S.F. Sauter-"Ach, mir schallt's dorten] Arrrangement of Bundeslied (op. 122) for 2 soloists and piano, Hess 92 (Pub. 1825)
WoO 130 Song, "Gedenke mein"
1819
1820
[Author?]
WoO 113 Song, "Klage"
c. 1790
[L. Hölty-"Dein Silber schien durch Eichengrün"]
WoO 110 Song, "Elegie auf den Tod eines Pudels"
c. 1790
[Author?-"Stirb immerhin"]
WoO 111 Song, "Punschlied"
c. 1791
[Author?-"Wer night, wenn warm"]
WoO 109 Song, "Trinklied"
c. 1792
[Author?-"Erhebt das Glas"]
WoO 116 Song, "Que le temps me dure"
early 1794
(?"Moll und Dur") 2v. c,C [Jean-Jacques Rousseau]
WoO 117 Song, "Der freie Mann"
1792
1794
Written 1792, revised 1794 [G.C.Pfeffel-"Wer ist ein freier Mann?"]
WoO 119 Song, "O care selve"
c. 1794
[Pietro Metastasio]
WoO 118 Song, "Seufzer eines Ungeliebten; Gegenliebe",
1794
1795
[Gottfried August Bürger-"Hast du nicht Liebe zugemessen"; "Wüsst ich, dass du mich lieb" (Gegenliebe melody later in Choral Fant. op. 80)
WoO 123 Song, "Zärltliche Liebe"
c. 1795
[Karl Friedrich Herrosee-"Ich liebe dich"]
WoO 124 Song, "La partenza"
1795
1796
[Pietro Metastasio-"Ecco quel fiero istante]
WoO 125 Song, "La tiranna"
1798
1799
[William Wennington-"Ah grief to think"] (1st attempt at Eng.text)
WoO 128 Song, "Plaisir d'aimer
1798
1799
[Author ?]
WoO 139 Song, "Der Liebende"
1809
[Christian Ludwig Reissig-"Welch ein wunderbares Leben']
 
 
CANNONS
 
WoO 167 "Brauchle, Linke", three-part canon
c. 1815
 
WoO 168 "Das Schweigen", "Das Reden"
1/24/1816
two farewell canons for Neate leaving for London
WoO 169 "Ich küsse Sie", two-part canon
1/1816
 
WoO 176 "Glück, Glück zum neuen Jahr", three-part canon
12/1819
 
WoO 175 "Sankt Petrus war ein Fels"
c.1820
 
WoO 180 "Hoffman, sei ja kein Hofmann", two-part canon
3/1820
 
WoO 181 Three canons: "Gedenket heute", "Gehabt euch"; "Tugend ist"
1819
1820
 
WoO 182 "O Tobias!", three-part canon  
9/1821
 
WoO 183 "Bester Herr Graf", four-part canon
2/1823
[See also: musical jokes]
WoO 184 "Falstafferel, lass' dich sehen", five-part canon
4/1823
 
WoO 185, "Edel sei der Mensch", six-part canon
c. 5/1823
(2 versions in E and Eb)
WoO 186 "Te solo adoro", two-part canon,
6/1824
 
WoO 187 "Schwenke dich", four-part canon
11/1824
 
WoO 189 "Doktor, sperrt das Tor", four-part canon
5/1825
 
WoO 190 "Ich war hier, Doktor", two-part canon
6/1825
 
WoO 191 "Kühl, nicht lau", three-part canon
11/1825
 
WoO 194 "Si non per portas", canon
9/1825
 
WoO 198 "Wir irren allesamt", two-part canon
12/1826
 
WoO 159 "Im Arm der Liebe"
c. 1795
 
WoO 160 Two Canons, untexted, in G and C
c. 1795
 
WoO 35 Duet in A for 2 violins
8/1825
[Untexted Canon]
WoO 161 "Ewig dein"
c.1811?
 
WoO 163 "Kurz ist der Schmerz"
11/1813
For Johann Friedrich Naue
WoO 164 "Freundschaft ist die Quelle"
9/1814
 
WoO 165 "Glück zum neuen Jahr"
1/1815
for Baron von Pasqualati
WoO 166 "Kurz ist der Schmerz"
3/1815
for Louis Spohr
WoO 170 "Ars longa, vita brevis"
4/1816
For Johann Nepomuk Hummel
WoO 171 "Glück fehl' dir vor allem"
1817
For Anna Giannatasio del Rio
WoO 172 "Ich bitt' dich"
c.1818?
For Vincent Hauschka
WoO 173 "Hol' euch der Teufel" (puzzle cannon)
Sum 1819
For Sigmund Anton Steiner
WoO 174 "Glaube und hoffe"
9/1819
For Moritz Schlesinger [not strictly a cannon]
WoO 179 "Alles Gute"
12/1819
For Archduke Rudolph
WoO 177 "Bester Magistrat"
c. 1820
For Abbe' Stadler?
WoO 178 "Signor Abate"
c. 1820?
 
WoO 188 "Gott ist eine feste Burg"
1/1825
 
WoO 192 "Ars longa, vita brevis" (puzzle cannon)
11/1825
For Sir George Smart
WoO 193 "Ars longa, vita brevis" (puzzle cannon)
?1825
 
WoO 195 "Freu' dich des Lebens"
12/1825
For Theodor Molt
WoO 196 "Es muss sein"
c.7/1826
For Ignaz Dembscher
WoO 197 "Da ist das Werk"
9/1826
 
Hess 276 "Herr Graf, ich komme zu fragen"
1797?
 
Hess 229 "Languisco e moro"
early 1803
 
Hess 274 Untexted canon in G
early 1803
 
Hess 275 Untexted canon in Ab
c. 11/1803
 
Hess 300 "Liebe mich, werter Weissenbach"
c. 1/1820
For Aloys Weissenbach?
Hess 301 "Wähner...es ist kein Wahn"
c. 1/1820
For Friedrich Wähner?
Hess 277 "Esel aller Esel"
c. 9/1826
 
 
 
FOLKSONGS
 
Op 108 25 Scottish songs w/ pianoforte, violin and cello accomp.
(? Date)
(Pub. 1815-1816)
WoO 152 25 Irish songs
(? Date)
(Pub. 1814)
WoO 153 20 Irish songs
(? Date)
(Pub. 1816)
WoO 154 12 Irish songs
(? Date)
(Pub. 1816)
WoO 155 26 Welsh songs
(? Date)
, (Pub. 1817)
WoO 156 12 Scottish songs
(? Date)
(Pub. #1:1822, #2-4,8,9,12:1824-5, #5,6:1839, #7,10,11:1841)
WoO 157 12 Assorted folksongs
(? Date)
(Pub. #2,6,8,11:1816, #3:1822, #5:1824-5, #1:1839)
WoO 158 #1 23 Continental folksongs
(? Date)
 
WoO 158 #2 7 British folksongs
(? Date)
 
WoO 158 #3 6 Assorted folksongs
(? Date)
 
Hess 133 "Das liebe Kätzchen"
(? Date)
(Pub. 3/1820) Austrian
Hess 134 Der Knabe auf dem Berge
(? Date)
(Pub. 3/1820) Austrian
Hess 168 No Title or Text
(? Date)
(Pub. early 1817) French
Hess 192 "On the Massacre of Glencoe
(? Date)
(Pub. 1813) Scott (Replaced by WoO 152 #5)
Hess 194 "I Dream'd I Lay"
(? Date)
(Pub 7/1810) (Replaced by WoO 153 #5)
Hess 195 "When Far from the Home"
(? Date)
(Pub. 1813) (Replaced by WoO 153 #11)
Hess 196 "I'll Praise the Saints"
(? Date)
[Pub. 7/1810] (Replaced by WoO 153 #12)
Hess 197 "Tis but in Vain"
7/1810
(Replaced by WoO 153 #15)
Hess 198 "Oh Would I Were"
(? Date)
[Pub. 2/1812] (Replaced by WoO 154 #9)
Hess 203 "Faithfu' Johnie"
(? Date)
[Pub. 7/1810] (Replaced by WoO 108 #20)
Hess 206 "To the Blackbird"
(? Date)
[Pub. 7/1810] (Replaced by WoO 155 #20)
 
 
MISCELLANEOUS SONGS
 
WoO 107 Song, "Schilderung eines Mädchens"
?1783
[Author?-Schildern, willst du Freund"]
WoO 108 Song, "An einen Säugling"
1784?
[J.von Döhring-"Noch weisst du nicht wess Kind du bist"]
WoO 115 Song, "An Minna"
c. 1792
[Author?-"Nur bei dir, an deinem Herzen"]
WoO 121 Song, "Abschiedsgesang an Wiens Bürger"
c. 1798
[von Friedelberg-"Keine Klage soll erschallen"]
WoO 122 Song, "Kriegslied der Osterreicher"
1797
[von Friedelberg-'Ein grosses deutches Volk]
Hess 137 Song, "Ich wiege dich in meinem Arm
c.1795?
[Author?] lost (ref. to by Beethoven 1822, in a price list for possible publ.
NA Song, "Meine Lebenszeit verstreicht" in g
c. 1798
1803
lost [Christian Fürchtegott Gellert] (referred to by Beethoven 1822, in a price list for possible publ. See op.48 in f#.
Hess 139 Song, "Minnesold von Bürger, in Tönen an Amenda ausbezahlt
c. 1798
[Author ?] lost
Hess 143 Song, "An die Freude"
c. 1798
1799
lost [Friedrich von Schiller-"Freude, schöner Götterfunken"] Was early setting of Schiller's "To Joy". Referred to by Ries, 1803. 2 sketches survive from 1798.
WoO 120 Song, "Pour Madame Weissenthurn"
c.1802
[Author?-"Man strebt die Flamme zu verhehlen"]
WoO 138 Song, "Der Jüngling in der Fremde"
1809
[Christian Ludwig Reissig-"Der Frühling entblühet"]
WoO 141 Song, "Der Gesang der Nachtigall"
5/1813
[Johann Gottfried Herder-"Höre, die Nachtigall singt"]
WoO 142 Song, "Der Bardengeist"
11/1813
[Franz Rudolph Hermann-"Dort auf dem hohen Felsen"]
WoO 135 Song, "Die laute Klage"
c.1815?
[Johann Gottfried Herder-"Turteltaube, du klagest so laut"]
WoO 146 Song, "Sehnsucht"
early 1816
[Christian Ludwig Reissig-"Die stille Nacht umdunkelt"]
WoO 151 Song, "Der edle Mensch sei hilfreich und gut"
1/1823
[Johann Wolfgang von Goethe]
Op 88 Song, "Das Glück der Freundschaft"
1803
[Author?-"Der lebt ein Leben wonniglich"]
WoO 134 Song, "Sehnsucht" [4 settings]
early 1808
[J.W. von Goethe-"Nur wer die Sehnsucht kennt"]
WoO 132 Song, "Als die Geliebte sich trennen wollte"
1806
[Stephan von Bruening, based on French text by Hoffmann-"Der Hoffnung letzter Schimmer sinkt dahin"]
Op 48 #1 Song, "Bitten"
c. 1801
1802
[Christian Fürchtegott Gellert-"Gott,deine Güte reicht so weit"]
Op 48 #2 Song, "Die Liebe des Nächsten"
c. 1801
early 1802
[C.F.Gellert-"Die Liebe des Nächsten ('So jemand spricht')"]
Op 48 #3 Song, "Vom Tode"
c. 1801
1802
[Christian Fürchtegott Gellert-"Meine Lebenszeit verstreicht"]
Op 48 #4 Song, "Die Ehre Gottes aus der Natur"
1801
1802
[C.F. Gellert-"Die Himmel rühmen"]
Op 48 #5 Song, "Gottes Macht und Vorsehung"
1801
1802
[Christian Fürchtegott Gellert-"Gott ist mein Lied"]
Op 48 #6 Song, "Busslied"
1801
1802
[Christian Fürchtegott Gellert-"An dir allein"]
Op 48 #7 Song, "Sechs Leider nach gedichten von Gellert"
1801
1802
[C.F. Gellert] ** ? #7 **
Op 48 #8 Song, "Sechs Geistliche Lieder"
1801
1802
[C.F. Gellert] ** ? #8 **
WoO 131 Song, "Erlkönig"
1794
1796
[unfinished]
 
 
MUSICAL JOKES, QUIPS, MOTTOS AND THEMES
 
WoO 183 "Bester Herr Graf, Sie sind ein Schaf!"
2/20/1823
musical joke
WoO 101 "Graf, Graf, liebster Schaf"
1802
musical joke
WoO 199 "Ich bin der Herr von zu"
1814
musical quip [Intended for Archduke Rudolph]
WoO 200 "Theme for variations, "O Hoffnung"
1818
[Theme for Archduke Rudolph who comp. 40 var's.]
WoO 201 "Ich bin bereit! Amen", set to music
1818
[In a letter to Vincenz Hauschka - letter 903]
WoO 202 "Das Schöne zu dem Guten", set to music
1823
[Musical motto]
WoO 203 "Das Schöne zu dem Guten", set to music
1825
[Musical motto, puzzle cannon]
WoO 204 "Holz, Holz geigt die Quartette so"
1825
[Musical joke in conversation book of September 1825]
WoO 205a "Baron, Baron, Baron", musical quip
c. 1798
[In letter Zmeskall, Letter 29]
WoO 205b "Allein, allein, allein", musical quip
1814
[To Count Lichnowsky, Letter 498]
WoO 205c "O Adjutant", musical quip
1817
[To Haslinger, Letter 742]
WoO 205d "Wo? Wo?", musical quip
1817
[To Nanette Streicher Letter 789 or 792]
WoO 205e "Erfüllung, Erfüllung", set to music
1819
[To Archduke Rudolph, Letter 948]
WoO 205f "Scheut euch nicht", set to music
c. 1821
[To Treitschke, Letter 1068]
WoO 205g "Tobias! Paternostergassler", set to music
1824
[To Haslinger, Letter 1312]
WoO 205h "Tobias, Tobias", musical setting
1825
[To Haslinger, Letter 1365]
WoO 205i "Bester Tobias", musical setting
1826
[To Haslinger, Letter 1534] Not Listed, "Ach Tobias", musical quip
WoO 205j ???  
???
???
WoO 205k "Erster aller Tobiasse", musical setting
1826
[To Haslinger, Letter 1536]
 
 

MISCELLANEOUS

IDENT
TITLE / INFORMATION
DATE
Begun
DATE
Completed
MISC. INFO
EXERCISES WITH HAYDN AND ALBRECHTSBERGER
 
Hess 233
~300 simple contrapuntal exercises on cantus firmi
1793
1795
 
Hess 234
~125 exercises in strict counterpoint
1793
1795
 
Hess 235
26 free exercises
1793
1795
 
Hess 236
18 simple 2 part fugues (strict)
1793
1795
 
Hess 237
7 simple 3 part figures (strict)
1793
1795
 
Hess 238
9 simple 4 part figures (strict)
1793
1795
 
Hess 239
3 chorale fugues
1793
1795
 
Hess 240
4 2-part exercises in double counterpoint
1793
1795
 
Hess 241
21 exercises in double counterpoint
1793
1795
 
Hess 242
6 exercises in double counterpoint
1793
1795
 
Hess 243
5 4-part fugues in double counterpoint
1793
1795
 
Hess 244
2 4-part triple fugues
1793
1795
 
Hess 245
Fragment of a fugue in d for string quartet
1793
1795
 
Hess 246
Double fugue in F for 4-part choir
1793
1795
 
 
 
UNKNOWN IF ACCURATE
 
NC
Song, "Vita felice"
(? Date)
 
NC
Song, "Mephistos Flohlied"
(? Date
 
 
 
SPURIOUS MUSIC ATTRIBUTED TO BEETHOVEN
 
WoO 17
Mödling Dances
spurious, not Beethoven's - referred to by Schindler.
WoO 12
12 Minuets
1796
spurious, not Beethoven's - by brother Carl
WoO 16
12 Ecossaises, spurious, not Beethoven's
1795
1796
Probably spurious
Anh. 3
Piano Trio in D,
(? Date)
Probably spurious
Anh. 5
2 Sonatinas in G
1790
1792
Probably spurious
Anh. 6
Rondo in Bb
c. 1795
1796
Probably spurious
WoO 162
"Ta ta ta", four-part canon
1812
Spurious - written by Anton Schindler