AGE 43 - 44 [1814]
Compiled by Gary D. Evans
Last Updated:
March 25, 2019 7:10 PM
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BEGINNING LATE PERIOD VIENNA - 1814 (Age 43 years)
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WORKS CREATED
Op 72#3: Fidelio III Opera w/ overture Fidelio in E (Allegro) | |
op 89: Polonaise | (December) (composed for Emp. Of Russia who was in Vienna for the Congress) |
op 90: Autograph score of Piano Sonata | (Begun in June and written out Aug16) (1st piano sonata in 4 years) (2 movements) |
op 115: Namensfeier Overture | (Autograph score begun Oct1st & compl. Mar 1815) (planned for celebration of Emperor's name day but put aside until 1815 to write |
Op 116: Trio for soprano, tenor and bass w/ orchestral accomp. | |
op 118: 'Elegischer Gesang' (Elegy) | (July) For Pasqualati on 3rd anniversary of his wife, Eleonore's, death with a performance planned for Aug 5th |
op 136: Cantata for 4 solo voices, chorus & orchestra "Der glorreiche Augenblick" | (Oct - Nov) Described by Kerman p61 as "absolutely bombastic" |
WoO 94: Song, "Germania" | (early 1814) For G.F. Treitschke's Singspiel) |
WoO 95: Chorus w/ orch, "Die verbundeten Fursten" | (Short chorus of welcome to visiting sovereigns) (Text by Carl Joseph Bernard (1780- 1850) - afterward became one of B's closest friends) |
WoO 100: Song, "Markenstein" | (Sketch Nov, compl Dec22[Tagebuch #85]) |
WoO 102: Song, "Abschiedsgesang" for 3 male voices a capella | |
WoO 103: Cantata, "Un lieto brindisi" | (June 24 evening honoring Giovanni Malfatti (Johann), for his name-day (St. John's day; Anna and Therese's uncle) (Event was organized by Dr. Andreas Bertolini - B's friend & med.advisor 1806-1816) |
WoO 140: Song, "An die Geliebte" | 2nd version. |
WoO 143: Song, "Der kriegers Abschied" | (late 1814) |
WoO 144: Song, "Merkenstein" | |
WoO 164: Song, "Freundschaft ist die quelle" | (Sept) |
WoO 199: "Ich bin der Herr von su" | (musical quip for Archduke Rudolph) |
WoO 205b: "Allein, allein, allein" | (musical quip. To Count Lichnowsky in a letter #498) |
BIOGRAPHICAL NOTES
DATE
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The year began with Beethoven continuing to experience economic insecurity after the Kinsky heirs & Lobkowitz failed to provide his promised annuity. Yet, Beethoven's creative energy triumphed.Beethoven: "There is much to be done on earth, do it soon." "I must not continue my present everyday life; art demands this sacrifice too. Rest and find diversion only in order to act all the more forcefully in art." [Tagebuch #25] ... "No time passes more quickly, rolls by faster, then when our mind is occupied or when I spend it with my Muse." [Tagebuch #31] |
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Jan 2
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Benefit concert held for Beethoven - Wellingtons Sieg, portions of Die Ruinen von Athen performed. Maelzel was not involved in this performance. | |
Mar 25
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Beethoven conducted the Egmont Overture and Wellingtons Sieg at a charity concert. | |
April
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Archduke trio op97 first performed with Schuppanzigh playing Violin. | |
April
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Beethoven sent score of Wellingtons Sieg to Prince Regent in London with a dedication to him probably calculated to keep Maelzel from considering performing the work there himself. | |
April-mid
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Fidelio rehearsals began | |
April
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Thompson published the first volume of Beethoven's folksong arrangements. | |
April
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Piano Sonata op90 begun | |
April 15
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Prince Karl Lichnowsky died. | |
May 23
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Rewritten Fidelio performed (w/o new overture yet) at the Karntnertortheater with Beethoven and Umlauf conducting. | |
May 26
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Rewritten Fidelio again performed, this time w/ new overture. There were several subsequent performances. | |
May
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One of B's last public perf's as pianist at one of Schuppanzigh's morning concerts - 2nd perf. of Archduke Trio. | |
May
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After Josephine hiding in village outside of Vienna for 1 year with 1yo Minona she returned to Vienna. Stackelberg very soon after appeared w/ court order and police removing their 3 children from her custody. Stackelberg then left Vienna through 1817. Josephine had no contact with her 3 three children for those years. Stackelberg also attempted to remove the 3 other children from her 1st marriage. Josephine fought this attempt successfully from 1814-1816. | |
June - Sept
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Moved to Baden for summer (??? address) | |
June 24
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Beethoven's cantata, 'Un lieto brindisi' just written for Giovanni Malfatti's name-day, and performed in his honor. | |
June
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Moscheles agreed to create piano arrangements of Fidelio with his work checked and edited by Beethoven. | |
July
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Elegischer Gesang op118 composed for an Aug 5th performance. | |
July 18
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Benefit performance of Fidelio (final version) for Beethoven. This included a new version of Rocco's aria and Leonore's recitative and aria (sung by Anna Milder-Hauptmann) | |
Aug
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Piano score of Fidelio published - arranged by Moscheles (see June) | |
Aug 16
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Autograph score of Piano Sonata op90 completed. | |
Sept 26
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Fidelio perf'ed before several heads of state there for Congress of Vienna ( Jun/'15) | |
Sept
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Moved ???? Sept & October | |
Oct 1
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Autograph score of Namensfeier Overture begun - not completed until Mar 1815 | |
Oct-Nov
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Cantata 'Der glorreiche Augenblick' composed | |
Nov
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Moved to Molkerbastei 8, Pasqualatihaus (5th fl) until Spring 1815. | |
Nov 29
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Perf. Der glorreiche Augenblick op136 for the opening of Congress of Vienna at the Redoutensaal; attended by Empresses of Austria & Russia, King of Russia; nearly all princely participants of the Congress of Vienna were there. Other music perf'ed: Battle & 7th symphonies.(perf rep.3d later.) | |
Nov 30
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Secret Police report: "...the English delegation is so pious that they won't listen to music on a Sunday and Herr van Beethoven's concert has therefore been moved to a weekday..." [Last Decade p15 ref#2] | |
Dec 2
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Repeat performance (from Nov 29th) | |
Dec
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Polonaise op89 composed for Empress of Russia then in Vienna for the Congress. | |
Dec
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Beethoven planned a collaboration with Treitschke on a new opera: Romulus und Remus. | |
Dec 25
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2nd repeat performance (Nov 29th, Dec.2nd) | |
Dec 31
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Fire destroyed Razumovsky palace during Congress of Vienna festivities greatly reducing Razumovsky wealth. |