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AGE 43 - 44 [1814]

Compiled by Gary D. Evans

Last Updated: March 25, 2019 7:10 PM

BEGINNING LATE PERIOD

VIENNA - 1814 (Age 43 years)

MEDICAL: Despite Beethoven's continual efforts to find medical advise and treatment, his intermittent abdominal pains, infections, fevers, headaches, and now complete deafness continued. "Conversation books" were extensively used to communicate more efficiently. In the end, over 400 of these books were filled (with over 250 of them destroyed and/or altered by one of Beethoven's secretaries - Anton Schindler, who sought an idealized recollection of Beethoven after his death.

CREATIVE / FINANCIAL: By June 1813, he picked himself up and found the motivation to begin composing again, perhaps associated with the news of Napoleon's armies having been defeated at Vittoria, Spain, by forces led by the Duke of Wellington. This news prompted his completing the "battle symphony - Wellington's Victory," performed December 8, 1813. The performance was a success and led the public to ask for his "Fidelio" to be performed again. Beethoven completed its third revision and performances in July 1814 were well received. Other compositions that summer included his piano sonata No. 27, Opus 90 - the first written after a five-year hiatus from the last. He also created several songs including the song cycle, "An die ferne Geliebte, and in 1815 - the second rendition of "An die Hoffnung," Opus 94, the first of which was written in 1805 as a gift to Josephine Brunsvik.

A new lyrical strain emerged with a sense of inner peace; a sense similar to that of the fantasy sonatas of 1802. But, by the end of 1813, melancholia had developed and composition slowed with a marked decrease in creative output over the years 1813-1815.


1814 Copper Engraving by Hofel

FAMILY - SOCIAL ISSUES: Caspar Carl married Johanna Reiss on May 25, 1806, with their only child, Karl born 4 months later on September 4, 1806. Beethoven opposed this marriage, pointing to Johanna's theft conviction in 1811, etc., (He had also opposed his brother Johann's marriage in 1812.), but visited them frequently. Beethoven visited his brother Carl who was ill with tuberculosis late in October 1812 and within a few months - by early 1813, he provided significant care of him. Beethoven suffered emotionally and complained that the cost of his efforts had left him penniless. During this time, his physical appearance became disheveled, his public manners declined, and his work output decreased. Casper Carl died of his progressive tuberculosis on November 14, 1815. Shortly before his death Casper Carl signed a will - first granting Beethoven exclusive custody over Karl - their only son - but then signed a codicil restating his wish to assign joint custody to Beethoven and to his wife. Upon Casper Carl's death, Beethoven immediately brought suit in the upper courts, seeking sole guardianship over Karl, then 9 years old. This was granted in February 1816, but the mother appealed leading to a full resolution only years later in 1820.

It is likely not a simple coincidence that Beethoven's creative output declined between the years 1815 and 1817, given his legal struggles over Karl and his struggles to provide proper care of the boy. In addition, Beethoven suffered from a protracted illness that began in October 1816.


WORKS CREATED

Op 72#3: Fidelio III Opera w/ overture Fidelio in E (Allegro)  
op 89: Polonaise (December) (composed for Emp. Of Russia who was in Vienna for the Congress)
op 90: Autograph score of Piano Sonata (Begun in June and written out Aug16) (1st piano sonata in 4 years) (2 movements)
op 115: Namensfeier Overture (Autograph score begun Oct1st & compl. Mar 1815) (planned for celebration of Emperor's name day but put aside until 1815 to write
Op 116: Trio for soprano, tenor and bass w/ orchestral accomp.  
op 118: 'Elegischer Gesang' (Elegy) (July) For Pasqualati on 3rd anniversary of his wife, Eleonore's, death with a performance planned for Aug 5th
op 136: Cantata for 4 solo voices, chorus & orchestra "Der glorreiche Augenblick" (Oct - Nov) Described by Kerman p61 as "absolutely bombastic"
WoO 94: Song, "Germania" (early 1814) For G.F. Treitschke's Singspiel)
WoO 95: Chorus w/ orch, "Die verbundeten Fursten" (Short chorus of welcome to visiting sovereigns) (Text by Carl Joseph Bernard (1780- 1850) - afterward became one of B's closest friends)
WoO 100: Song, "Markenstein" (Sketch Nov, compl Dec22[Tagebuch #85])
WoO 102: Song, "Abschiedsgesang" for 3 male voices a capella  
WoO 103: Cantata, "Un lieto brindisi" (June 24 evening honoring Giovanni Malfatti (Johann), for his name-day (St. John's day; Anna and Therese's uncle) (Event was organized by Dr. Andreas Bertolini - B's friend & med.advisor 1806-1816)
WoO 140: Song, "An die Geliebte" 2nd version.
WoO 143: Song, "Der kriegers Abschied" (late 1814)
WoO 144: Song, "Merkenstein"  
WoO 164: Song, "Freundschaft ist die quelle" (Sept)
WoO 199: "Ich bin der Herr von su" (musical quip for Archduke Rudolph)
WoO 205b: "Allein, allein, allein" (musical quip. To Count Lichnowsky in a letter #498)

BIOGRAPHICAL NOTES

DATE
The year began with Beethoven continuing to experience economic insecurity after the Kinsky heirs & Lobkowitz failed to provide his promised annuity. Yet, Beethoven's creative energy triumphed.
Beethoven: "There is much to be done on earth, do it soon." "I must not continue my present everyday life; art demands this sacrifice too. Rest and find diversion only in order to act all the more forcefully in art." [Tagebuch #25] ... "No time passes more quickly, rolls by faster, then when our mind is occupied or when I spend it with my Muse." [Tagebuch #31]
Jan 2
Benefit concert held for Beethoven - Wellingtons Sieg, portions of Die Ruinen von Athen performed. Maelzel was not involved in this performance.
Mar 25
Beethoven conducted the Egmont Overture and Wellingtons Sieg at a charity concert.
April
Archduke trio op97 first performed with Schuppanzigh playing Violin.
April
Beethoven sent score of Wellingtons Sieg to Prince Regent in London with a dedication to him probably calculated to keep Maelzel from considering performing the work there himself.
April-mid
Fidelio rehearsals began
April
Thompson published the first volume of Beethoven's folksong arrangements.
April
Piano Sonata op90 begun
April 15
Prince Karl Lichnowsky died.
May 23
Rewritten Fidelio performed (w/o new overture yet) at the Karntnertortheater with Beethoven and Umlauf conducting.
May 26
Rewritten Fidelio again performed, this time w/ new overture. There were several subsequent performances.
May
One of B's last public perf's as pianist at one of Schuppanzigh's morning concerts - 2nd perf. of Archduke Trio.
May
After Josephine hiding in village outside of Vienna for 1 year with 1yo Minona she returned to Vienna. Stackelberg very soon after appeared w/ court order and police removing their 3 children from her custody. Stackelberg then left Vienna through 1817. Josephine had no contact with her 3 three children for those years. Stackelberg also attempted to remove the 3 other children from her 1st marriage. Josephine fought this attempt successfully from 1814-1816.
June - Sept
Moved to Baden for summer (??? address)
June 24
Beethoven's cantata, 'Un lieto brindisi' just written for Giovanni Malfatti's name-day, and performed in his honor.
June
Moscheles agreed to create piano arrangements of Fidelio with his work checked and edited by Beethoven.
July
Elegischer Gesang op118 composed for an Aug 5th performance.
July 18
Benefit performance of Fidelio (final version) for Beethoven. This included a new version of Rocco's aria and Leonore's recitative and aria (sung by Anna Milder-Hauptmann)
Aug
Piano score of Fidelio published - arranged by Moscheles (see June)
Aug 16
Autograph score of Piano Sonata op90 completed.
Sept 26
Fidelio perf'ed before several heads of state there for Congress of Vienna ( Jun/'15)
Sept
Moved ???? Sept & October
Oct 1
Autograph score of Namensfeier Overture begun - not completed until Mar 1815
Oct-Nov
Cantata 'Der glorreiche Augenblick' composed
Nov
Moved to Molkerbastei 8, Pasqualatihaus (5th fl) until Spring 1815.
Nov 29
Perf. Der glorreiche Augenblick op136 for the opening of Congress of Vienna at the Redoutensaal; attended by Empresses of Austria & Russia, King of Russia; nearly all princely participants of the Congress of Vienna were there. Other music perf'ed: Battle & 7th symphonies.(perf rep.3d later.)
Nov 30
Secret Police report: "...the English delegation is so pious that they won't listen to music on a Sunday and Herr van Beethoven's concert has therefore been moved to a weekday..." [Last Decade p15 ref#2]
Dec 2
Repeat performance (from Nov 29th)
Dec
Polonaise op89 composed for Empress of Russia then in Vienna for the Congress.
Dec
Beethoven planned a collaboration with Treitschke on a new opera: Romulus und Remus.
Dec 25
2nd repeat performance (Nov 29th, Dec.2nd)
Dec 31
Fire destroyed Razumovsky palace during Congress of Vienna festivities greatly reducing Razumovsky wealth.