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AGE 39 - 40 [1810]

Compiled by Gary D. Evans

Last Updated: March 25, 2019 7:12 PM






Middle Period

VIENNA 1810 (Age 39 years)

POLITICAL CLIMATE: A police state existed at this time and Love for the Kaiserwas mixed with dread of the secret police. There was a sense of fear and uncertainly following the Habsburg submission to Napoleon (following the defeats of 1797-1809) along with a sense of national impotence since the death of Joseph II; with his death there was a diminished hope for the enlightened despotism he had espoused. In this era of failed political nerve and a decrease in outward concern for the human condition, music became an expression of these uncensorable statements. The High Classic style was not trivial but expressed a utopian ideal. Womanhood was Idealized and a commercialized view of sex and marriage obtained. The greater works of Mozart, Haydn and early Beethoven contradicted Viennese life where gaiety disguised a sense of loss, courtly grace was penetrated by brusque and dissonant elements. Fantasy was mixed with profound expression. Boneparte's image actually replaced Christ's in many homes in Europe. Beethoven rejected hierarchial orthodoxy in liturgical and in secular life and so had conflicts with Bonaparte in terms of his image as a hero and the reality of his brutality and repression.

1809 was a traumatic time in Vienna during which time Napoleon's forces bombarded and occupied Vienna.

His friend, Ferdinand Ries, recalled that during a loud bombing attack in May 1809, Beethoven tried to protect himself and what remained of his hearing by evacuating to the basement of his brother's house, there covering his ears with pillows.


image from 1809-10

 

CREATIVE / FINANCIAL:Decreased Composition from 1810-1811

The annuity payments promised to Beethoven became irregular, and then with Kinsky's sudden accidental death, Lobkowitz's bankruptcy, and the French invasion of Vienna causing marked monetary inflation, Beethoven's financial position became insecure. He reacted by redoubling his focus on selling his compositions.

MEDICAL:Beethoven continued to seek medical advise and treatment for his several ailments including his now marked hearing loss associated with tinnitus. He was thereby not able to keep up with conversations, especially in noisy environments, causing him to withdraw from those settings. In addition, he found that he could not adequately perform, which led him increasingly toward composition as a means of income rather than performance.

MUSIC: Beethoven's music was influenced by French heroic style during these years. A four note motto was often used, e.g.: Harp quartet, 4th piano conc., Appassionata, 5th symph. Key of c was now used to express the heroic rather than pathos (e.g. 5th sym). The 4 notes are never twiused in the same way however.

ROMANTIC:Beethoven proposed marriage to the 19 yo Therese Malfatti, which was rejected. But, it appears as though Beethoven remained in love with the Brunsvik's youngest daughter, Josephine - now for over a decade. She, in turn had returned his affection, but - in the end she later married Count Josef Deym, a happy marriage, but one that lasted only a short time with his sudden death in 1804. Many love letters were written to her over the years 1804-1805 and beyond (see Anderson's Letters from those years), but by 1807 - under pressure from her family and with the knowledge that her ongoing relationship with Beethoven could result in the loss of her children, she withdrew from him and three years later, in 1810, she married Baron von Stackelberg.


WORKS CREATED

Op 83 #1 Song, "Wonne der Wehmut" ("Trocknet night")
Op 83 #2 Song, "Sehnsucht" ("Was zieht mir das Herz")
Op 83 #3 Song, "Mit einem gemalten Band" ("Kleine Blumen")
Op 84 Egmont Opera w/ overture in f Sostenuto ma non troppo - Allegro and Incidental music, 1. Aria (Clärchen) "Die Trommel gerühret" 2. Zwischenakt I 3. Zwischenakt II 4. Aria (clärchen) "Freudvoll und leidvoll" 5. Zwischenakt III 6. Zwischenakt IV 7. Musik, Clärchens Tod bezeichnend 8. Melodrama (Egmont) "Süsser Schlaf!" 9. Siegessymphonie S solo, male v (spoken)
Op 95
Quartet #11 f Ded. to Nikolaus Zmeskall
WoO 18 #1 March for Military Music in F Added Trio 1822; Ded to Archduke Anton
WoO 18 #2 March for Military Music in F
WoO 19 March in F (???? WoO 18 ????) June; added Trio in F 1822
WoO 20 March for Military Music in C added Trio in F 1822
WoO 21 Polonaise in D
WoO 22 Ecossaise in D
WoO 23 Ecossaise in G
WoO 59 Für Elise
Hess 93 A simplified setting and 2 keyboard vrs of Clärchen's Lied, #4 of Egmont (op.84)
Hess 94 Freudvoll und Leidvoll in G
Hess 95 Freudvoll und Leidvoll in F
Hess 99 Piano arrangement of Military March in F (WoO 18)
Hess 191 The Vale of Clwyd WoO 155 #19, early version
Hess 193 Farewell Bliss and Farewell nancy WoO 152 #20 - early version of codas
Hess 194 "I Dream'd I Lay", (Pub 7/1810) (Replaced by WoO 153 #5)
Hess 196 "I'll Praise the Saints", [Pub. 7/1810] (Replaced by WoO 153 #12)
Hess 197 "Tis but in Vain", (Replaced by WoO 153 #15)
Op 81a Sonata #26 in Eb, Les adieux, Das Lebewohl July; Ded to Archduke Rudolf
Hess 93-95 A simplified setting and 2 keyboard vrs of Clärchen's Lied, #4 of Egmont (op.84)
Hess 142 Wonne der Wehmut, earlier version of op 83 #1
Hess 197 "Tis but in Vain" July; Replaced by WoO 153 #15
Hess 203 "Faithfu' Johnie", [Pub. 7/1810] (Replaced by WoO 108 #20)
Hess 204 "O let the Night"
Hess 205 The Dream, another version of WoO 155 #12
Hess 206 "To the Blackbird", [Pub. 7/1810] (Replaced by WoO 155 #20)

BIOGRAPHICAL NOTES

DATE
Jan
Josephine married children's tutor, Baltic Baron Christoph von Stackelberg. Marriage is unhappy from beginning w/ separation occurring June 1812. Therese living with the couple and children providing care of children and support.
Both Chopin and Schubert were born in 1810.
Jan - Feb
Deep depression & marked dec. in comp.
Jan 30
Archduke Rudolph returned to Vienna
Early
Sextet op81b published
Early
Beethoven received money due from Clementi from 1807 (4/20) for publishing rights sold.
April
Sextet op71 published
April
B. broke his mirror - asked friend Zmeskall to loan him one. B. also bought new clothes at this time leading some to speculate that he was preening for a proposal to Therese Malfatti.
Apr 24
Moved to Molkerbastei 8, Pasqualatihaus (4th fl). Remained there for 4 years until March 1814. A close neighbor of Anna Marie Erdody (within 1 block).
Spring
Beethoven was in love with Therese Malfatti and dreamed of marriage to her. He sent a letter (Anderson#256) to his friend Franz Wegeler in Coblenz, asking him to obtain Beethoven's baptism certificate, presumably preparing for marriage. Wegeler did so, and sent it to Vienna. However, Therese did not accept Beethoven's proposal.
April 27
Fur Elise presented to Theresa Malfatti: Letter to Therese Malfatti: "You received herewith, honored Therese, what I promised, [some music] and had it not been for urgent hindrances, you would have received more, in order to show you that I always offer more to my friends than I actually promise -- I hope and have every reason to believe that you are nicely occupied and as pleasingly entertained -- but I hope not too much, so that you may also think of us. -- It would probably be expecting too much of you, or overrating my own value, if I ascribed to you "people are not only together when they are in each other's company, also the Distant One, the Absent One lives in us." Who would ascribe anything of the kind of the lively T. who takes life so easily? -- [Anderson p27 2-4, per Man of His Word p75] Do not forget the pianoforte among your occupations, or, indeed, music generally, you have such fine talent for it, why not cultivate it? You who have such feeling for all that is beautiful and good. Why will you not make use of it in order to learn the more perfect things in so beautiful an art, which always reflects its light upon us --.
May 2

Letter to Wegeler admitting depression & increasing deafness: "...Yet I would be happy, perhaps one of the happiest of men, if the demon had not settled in my ears. - If I had not read somewhere that man must not voluntarily part with his life as long as he can still perform a good deed, I would long ago have ceased to be - and, indeed, by my own hand. - Oh, life is so beautiful, but for me it is poisoned forever. - " B. also asked that his baptismal certificate be sent from Bonn (evidently related to marriage proposal made that month). [per Solomon]

Letter from B. to Wegeler: "I am sure you will not refuse me a friendly request, if I beg you to see to my certificate of baptism." -- Breuning has a running account with you, you can at once pay yourself, and I can settle everything here with Steffan, -- If you yourself think it worth the trouble to hunt up the matter, and care to make the journey from Coblenz to Bonn, put everything down to my account. -- But there is one thing that you must bear in mind, namely that a brother was born before me who was also called Ludwig, only with the additional name Maria, but he died. In order to fix my age beyond doubt, this brother must first be found, in as much as I already know that in this respect a mistake has been made by others and I have been said to be older than I am -- I have lived for a long time without, unfortunately, knowing myself how old I am. -- I had a family register but it has been lost -- heaven knows why -- So do not be angry if I commend this matter very warmly to you, viz. to find out about the Ludwig Maria and the present Ludwig who came after him -- The sooner you send the certificate the greater will be my obligation. -- [Anderson p2730 per Man of His Word p71]

May
Marriage proposal offered through intermediary Gleichenstein to Therese Malfatti (19 yo niece of his physician.) Opposed by Dr. Malfatti (who became B's physician after the death of Dr. Schmidt in 1808) and made without her romantic interest. Ultimately rejected.
May
Bettina Brentano (writer and friend of Goethe's; described as very talented and seductive) visiting Birkenstock house. Introduced sister-in-law, Antonie Brentano when they visited him at the Pasquali house. Over next 2 yrs a close relationship developed between B. and the Brentano family (Antonie, her husband Franz, and their then 8yo daughter). They became freq visitors to his home and he to theirs (Birkenstock mansion). Beethoven also became close to their children. [per Solomon.] (According to Man of His Word, pg 228, more likely Antonie, or others in the Brentano introduced Beethoven to Bettina.)
May
Flirtation w/ Bettina Brentano for few wks.
May
Betine sent Goethe a letter describing B & suggesting they meet.
May
Letter to Zmeskall: "Don't be vexed with me for sending you this little sheet of paper -- Are you not aware of the kind of situation in which I am placed, just as Hercules was formerly with Queen Omphale??? [Anderson pg274, per Man of His Word pg78] (Note: Legend - Hercules placed in bondage to Omphale, Queen of Lydia -- who treated Hercules poorly, forcing him to dress in women's clothing, take on menial chores, and basically degraded him.]
Summer
Moved to Baden: Johanneshof where worked on St.Quartet op95
June 6
Goethe wrote to Bettine Brentano suggesting that he and B. might meet in Karlsbad where Goethe spends summers. (B. agreed and met him in Teplitz near Karlsbad in 1812.)
June 15
?June 18 - First performance of Egmont music (was not ready for the May 24th performance)
July 4-11
Review of the 5th Symphony (Hoffman) published in Allgemeine Musikalische Zeitung.
July 17
Beethoven sent first 53 folksong arrangements to Thomson in Edinburgh.
July-Aug
Letter from Breuning to Wegeler: "Beethoven tells me at least once a week that he intends to write to you; but personally I believe his marriage project has fallen through and for this reason he no longer feels the lively desire to thank you for your trouble in getting him the baptismal certificate." [Wegeler-Ries pg152 per Man of His Word p70]
Aug 25
WoO 18 and 19 Marches performed at the tournament at Luxenburg held in honor or the Empress' birthday.
Aug 31
Clementi's edition of op75#1-5 songs, op77 Piano Fantasia, Piano Sonatas op78 and op79 entered at Stationers Hall.
Sept 1
Clementi's edition of Quartet op74 entered at Stationers Hall
Oct
Breitkopf's edition of op75 songs and op76 Piano Variations published.
Oct-Dec
Gleichenstein gradually ceased acting as secretary (Franz Oliva soon filled that roll)
Oct
Quartet op95 completed
Oct
Breitkopf & Hartel editions of Songs op75 and Piano Variations op76 published
Oct 31
Clementi's edition of Songs op75 #6 and Choral Fantasia op80 entered at Stationers Hall
Oct-Dec
Three Goethe Songs op83 composed and Archduke Trio begun
Nov 1
Clementi's edition of 5th Piano Concerto entered at Stationers Hall
Nov
Breitkopf & Hartel's edition of op74 Quartet, op77 Piano Fantasia, op78, 79 Piano Sonatas published
Dec
Definite evidence that B. teaching Archduke Rudolph in letter of apology to him in missing a lesson because of headache [Nwsltr v7#3 p66]
Dec
Egmont Overture op84 published