BEETHOVEN'S WORKS BY OPUS NUMBER
Compiled by Gary D. Evans
Last Updated:
March 24, 2019 6:57 PM
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OPUS
|
TITLE / INFORMATION
|
DATE
Begun |
DATE
Completed |
MISC. INFO
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1 #1
|
Trio for Piano, Violin and Cello #1 in Eb | Dates uncertain | ||
1 #2
|
Trio for Piano, Violin and Cello #2 in G | Dates uncertain | ||
1 #3
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Trio for Piano, Violin and Cello #3 in c | Dates uncertain | ||
2 #1
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Sonata #1 in f | Ded. To Haydn | ||
2 #2
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Sonata #1 in A | Ded. To Haydn | ||
2 #3
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Sonata #1 in C (Finale) | Ded. To Haydn | ||
3
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String trios E | Dates uncertain | ||
4
|
Quintet for Strings in Eb, Re-composition of Octet op. 103 | Dates uncertain | ||
5 #1
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Sonata for Cello #1 in F, Mozart Var. | Composed in Berlin for court cellist Duport | ||
5 #2
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Sonata for Cello #2 in g, Handel Var. | Composed in Berlin for court cellist Duport | ||
6
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Sonata for Piano Duet (#3?) in D | Dates uncertain | ||
7
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Sonata #4 in Eb | Ded to Countess Keglevics | ||
8
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Serenade for Viola, Violin and Cello in D | |||
9 #1
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Trio for Strings in G | |||
9 #2
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Trio for Strings in D | |||
9 #3
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Trio for Strings in c | |||
10 #1
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Sonata #5 in c | Ded to Countess Browne | ||
10 #2
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Sonata #6 in F | Ded to Countess Browne | ||
10 #3
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Sonata #7 in D | Ded to Countess Browne | ||
11
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Trio for Clarinet in Bb | Ded to Cntess Maria Wilhelmine von Thun | ||
12 #1
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Violin Sonata #1 in D | |||
12 #2
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Violin Sonata #2 in A | |||
12 #3
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Violin Sonata #3 in E | |||
13
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Sonata #8 in c, Pathétique | To Prince Lichnowsky | ||
14 #1
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Sonata #9 in E | To Baroness Braun | ||
14 #2
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Sonata #10 in G | To Baroness Braun | ||
15
|
Piano Concerto #1 in C |
?1798
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To Princess Barbara Odescalchi [Rev 1800] | |
16 #1
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Quintet for Piano, Oboe, Clarinet and Bassoon in Eb ??? | |||
16 #2
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Quintet for Piano, Oboe, Clarinet and Bassoon in Eb ??? | |||
17
|
Sonata for Horn and pianoforte in F | To Baroness Braun | ||
18 #1
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Quartet #1 in F, "Lobkowitz Quartet" | |||
18 #2
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Quartet #1 in G, "Lobkowitz Quartet" | |||
18 #3
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Quartet #1 in D, "Lobkowitz Quartet" | |||
18 #4
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Quartet #1 in c, "Lobkowitz Quartet" | |||
18 #5
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Quartet #1 in F, "Lobkowitz Quartet" | |||
18 #6
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Quartet #1 in A, "Lobkowitz Quartet" | |||
19
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Piano Concerto #2 in Bb | To Carl Nicklas Edler van Nickelsberg | ||
20
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Septet for Violin, Viola, Clarinet., Horn, Bassoon, Cello & Double Bass Eb | Theme from op49#2 | ||
21
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Symphony #1 in C | To Baron van Swieten | ||
22
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Sonata #11 in Bb | Ded to Count Browne | ||
23
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Violin Sonata #4 in a (Mozart Variations) | |||
24
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Violin Sonata #5 in F (Spring Sonata) | |||
25
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Serenade for Flute, Violin and Viola in D | |||
26
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Sonata #12 in Ab | Ded Prince Lichnowsky [3'd mvmnt arg'd for Funeral March WoO96] | ||
27 #1
|
Sonata #13 in Eb, (Sonata quasi una fantasia Sonata) | Ded Princess von Liechtenstein | ||
27 #2
|
Sonata #14 in #c, (Sonata quasi una fantasia) "Moonlight" | Ded Countess Guicciardi | ||
28
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Sonata #15 in D, Pastoral Sonata | Ded to Joseph Sonnenfels | ||
29
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Quintet for Strings in C | Ded to Count Fries | ||
30 #1
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Violin Sonata #6 in A | Ded to Czar Alexander I of Russia | ||
30 #2
|
Violin Sonata #7 in c | Ded to Czar Alexander I of Russia | ||
30 #3
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Violin Sonata #8 in G (Allegro Vivace) | Ded to Czar Alexander I of Russia | ||
31 #1
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Sonata #16 in G | Commissioned by publisher | ||
31 #2
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Sonata #17 in d | Commissioned by publisher | ||
31 #3
|
Sonata #18 in Eb | Commissioned by publisher | ||
32
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Song, "An die Hoffnung" | thru composed. [Christoph August Tiedge] Strophic, later vers.op 94 | ||
33
|
7 Bagatelle | |||
34
|
6 Variations in F, on original theme | Ded to Princess Odescalchi | ||
35
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15 variations in Eb on a theme for fuga [Eroica variations] | |||
36
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Symphony #2 in D | Dec to Prince Lichnowsky | ||
36 (piano)
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Trio for Piano (see notes) | Arrangement of Symphony #2 in D | ||
37
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Piano Concerto #3 in c | To Prince Louis Ferdinand of Prussia [rediscovered in Poland after WWII] | ||
38
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Trio for Piano, Clarinet or Violin and Cello in Eb | Arrangement of Septet op. 20 | ||
39
|
2 Preludes for Organ or Piano through all 12 major keys #1 and #2 in C | Published 1803 | ||
40
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Romance #1 in G for Violin and Orchestra | |||
41
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Serenade for pianoforte and flute and violin in D | Arrangement of Serenade op. 25 | ||
42
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Nocturne for pianoforte and viola in D | Arrangement of op. 8 | ||
43
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Ballet: Die Geschöpfe des Prometheus (The Creatures of Prometheus) | |||
44
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Trio for Piano, #9 in Eb (14 variations) | |||
45 #1
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March for Pianoforte duet in C | |||
45 #2
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March for Pianoforte duet in Eb | |||
45 #3
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March for Pianoforte duet in D | |||
46
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Song, "Adelaide" [Friedrich von Matthisson] | |||
47
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Violin Sonata #9 in A (Kreutzer Sonata) | |||
48 #1
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Song, "Bitten" | Christian Fürchtegott Gellert-"Gott,deine Güte reicht so weit" | ||
48 #2
|
Song, "Die Liebe des Nächsten" | C.F.Gellert-"Die Liebe des Nächsten'So jemand spricht'" | ||
48 #3
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Song, "Vom Tode" | Christian Fürchtegott Gellert-"Meine Lebenszeit verstreicht" | ||
48 #4
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Song, "Die Ehre Gottes aus der Natur" | C.F. Gellert-"Die Himmel rühmen" | ||
48 #5
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Song, "Gottes Macht und Vorsehung" | Christian Fürchtegott Gellert-"Gott ist mein Lied" | ||
48 #6
|
Song, "Busslied" | Christian Fürchtegott Gellert-"An dir allein" | ||
48 #7
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Song, "Sechs Leider nach gedichten von Gellert" | C.F. Gellert | ||
48 #8
|
Song, "Sechs Geistliche Lieder" | C.F. Gellert | ||
49 #1
|
Sonata #19 in g |
c 1797?
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||
49 #2
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Sonata #20 in G | |||
50
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Romance #2 in F for Violin and Orchestra |
c 1798
|
||
51 #1
|
Rondo in C | |||
51 #2
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Rondo in G | |||
52 #1
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Song, "Urians Reise um die Welt" [Matthias Claudius] | |||
52 #2
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Song, "Feuerfarb" [Sophie Mereau] | |||
52 #3
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Song, "Das Liedchen von der Ruhe" [Wilhelm Ueltzen] | |||
52 #4
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Song, "Maigesang" [Johann Wolfgang von Goethe] | |||
52 #5
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Song, "Mollys Abschied" [Gottfried August Bürger] | |||
52 #6
|
Song, "Die Liebe" [Gotthold Ephraim Lessing] | |||
52 #7
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Song, "Marmotte" [Johann Wolfgang von Goethe] | |||
52 #8
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Song, "Das Blümchen Wunderhold" [Gottfried August Bürger] | |||
53
|
Sonata #21 in C, Waldstein sonata | To Ct Waldstein [WoO 57 used as 2'd mvmt] | ||
54
|
Sonata #22 in F | |||
55
|
Symphony #3 in Eb (Sinfonia Eroica) | To Prince Lobkowitz, org. Napoleon | ||
56
|
Concerto for Piano, Violin & Cello in C (Triple Concerto) | To Archduke Rudolph | ||
57
|
Sonata #23 in f, Appassionata | To Count Brunsvik | ||
58
|
Piano Concerto #4 in G | To Archduke Rudolph | ||
59 #1
|
Quartet #7 in F, "Razumoviski" quartets | |||
59 #2
|
Quartet #8 in e, "Razumoviski" quartets | |||
59 #3
|
Quartet #9 in C, "Razumoviski" quartets | |||
60
|
Symphony #4 in Bb | Composed for Count Oppersdorff; paid 500 fl. | ||
61
|
Violin Concerto D | To Stephen von Breuning | ||
61 piano
|
Piano Conc. in D, [arrangement of Violin Concerto in D above] | To Julie von Breuning. Possibly started by B. and completed by another. | ||
62
|
Coriolan in c, Ded. | To Heinrich Collin, author of tragedy it is based on | ||
63
|
* Trio for Piano, Violin and Cello in Eb. | [*arr by unknown person] | ||
64
|
* Sonata in Eb for Cello and Piano | [*arr from Str Quintet op. by someone else] | ||
65
|
Scena and aria (for soprano voice and orchestra), "Ah! perfido" | |||
66
|
Var.'s in F for Pianoforte & Cello on,"Ein Mädchen oder Weibchen" | from Mozart's Magic Flute | ||
67
|
Symphony #5 in c (Fate) | To Prc Lobkowitz & Ct Razumovsky | ||
68
|
Symphony #6 in f (Pastoral) | To Prc Lobkowitz & Ct Razumovsky | ||
69
|
Sonata for Cello and pianoforte #3 in A | To Baron Gleichenstein | ||
70 #1
|
Trio for Piano, Violin and Cello #4 in D "Ghost Trio" | |||
70 #2
|
Trio for Piano, Violin and Cello #5 in Eb | |||
71
|
Sextet for Winds in Eb | |||
72 a
|
Leonora 2 | |||
72 b
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Leonora 3 | |||
72 c
|
Fidelio | |||
73
|
Piano Concerto #5 in Eb (Emperor) | |||
74
|
Quartet #10 Eb, Harp quartet | |||
75 #1
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Song, "Mignons Lied" [Johann Wolfgang von Goethe] | |||
75 #2
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Song, "Neue Liebe, neues Leben" [Johann Wolfgang von Goethe] | |||
75 #3
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Song, "Aus Goethes Faust"[Johann Wolfgang v. Goethe-"Es war einmal einKönig"] | |||
75 #4
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Song, "Gretels Warnung" [Gerhard Anton von Halem-"Mit Liebesblick und Speil"] | |||
75 #5
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Song, "An den fernen Geliebten" [Christian Ludwig Reissig -"Einst wohnten süsse Ruh"] | |||
75 #6
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Song, "Der Zurfriedene" [Christian Ludwig Reissig -"Zwar schuf das Glück"] | |||
76
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6 variations over own theme in D | Later used for Ruins of Athens, Turkish march | ||
77
|
Fantasia in g | To Count Brunsvik. Com'd by Clementi | ||
78
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Sonata #24 in #F | To Therese Brunsvik, Com'd by Clementi | ||
79
|
Sonata #25 in G | Com'd by Clementi | ||
80
|
Coral Fantasy for Piano,Chorus and Orchestra | To King Maximilian Joseph of Bavaria | ||
81 a
|
Sonata #26 in bE, Les adieux, Das Lebewohl | To Archduke Rudolf | ||
81 b
|
Sextet for Horns and Strings in Eb |
1795?
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||
82 #1
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Song, "Hoffnung" [?Author-"Dimmi, ben mio"] | |||
82 #2
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Song, "Liebes-Klage" [Pietro Metastasio-"T'intendo, si, mio cor"] | |||
82 #3
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Song, "L'amante impatiente" arietta buffa [Pietro Metastasio-"Che fa il mio bene"] | |||
82 #4
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Song, "L'amante impatiente" arietta buffa [Pietro Metastasio-"Che fa il mio bene"] | |||
82 #5
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Song "Lebens-Genuss" [[Pietro Metastasio"Odi l'aura che dolci sospira"] | |||
83 #1
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Song, "Wonne der Wehmut" ("Trocknet night") | |||
83 #2
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Song, "Sehnsucht" ("Was zieht mir das Herz") | |||
83 #3
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Song, "Mit einem gemalten Band" ("Kleine Blumen") | |||
84
|
Egmont | |||
85
|
Oratorio, Christ on the Mount of Olives | Pub 1812 by Breitkopf & Hartel; Com'ed by Prince Nikolaus Esterhazy in 1800. Changed in 1807 to 3 hymns & perf. 9/13/1807; the Sunday following Princess Maria Josepha Hermenegild of Liechtenstein's name day. Next perf. at the Theater an der Wein 12/22/1808 along with the premier perf. of the 5th & 6th symphonies, the G major Piano Concerto, & Choral Fantasy. | ||
86
|
Mass in C | |||
87
|
Trio for Winds in C |
c 1795
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||
88
|
Song, "Das Glück der Freundschaft" | [Author?-"Der lebt ein Leben wonniglich"] | ||
89
|
Polonaise in C | Comp for Emp.of Russia, in Vienna for the Congress | ||
90
|
Sonata #27 in e |
c 6/1814
|
To Count Lichnowsky | |
91
|
Victory of Wellington in Eb | To Prince Regent | ||
92
|
Symphony #7 in A | To Count Fries | ||
93
|
Symphony #8 in F | [No dedication] | ||
94
|
Song, "An die Hoffnung" [Christoph August Tiedge-"Ob ein Gott sei"] | |||
95
|
Quartet #11 f ("Quartetto Serioso") | To Nikolaus Zmeskall; B. advised this was for musicians, not the public. | ||
96
|
Violin Sonata #10 in G (Mozart Variations) | written for Rode who performed it 12/29/1812 | ||
97
|
Trio for Piano, Violin and Cello #6 in Bb "Archduke" | |||
98
|
Song, , An die ferne Geliebte "To the Distant Beloved" |
c 4/1816
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(six poems by A. Jeitteles ) | |
99
|
Song, "Der Mann von Wort" [Friedrich August Kleinschmid-"Du sagtest, Freund"] | |||
100
|
Song, "Merkenstein" [Johann Baptist Rupprecht] | |||
101
|
Sonata #28 in A | To Baroness Ertmann | ||
102 #1
|
Sonata for Cello #4 in C | |||
102 #2
|
Sonata for Cello #5 in D | |||
103
|
Octet for Winds in Eb | Written in Bonn then rev. in Vienna 1793. Later recomposed as op 4 | ||
104
|
String Quintet in c | (arr. of op. 1#3) arranged by Kaufmann and corrected by Beethoven | ||
105
|
6 Themes w/ variations for Pianoforte with flute or violin accomp. Ad libitum | |||
106
|
Sonata #29 in Bb, Hammerklaver Sonata | Ded to Archduke Rudolf | ||
107
|
10 Themes w/ variations for Pianoforte with flute or violin accomp. Ad libitum | |||
108
|
25 Scottish songs w/ pianoforte, violin and cello accomp |
pub:1816
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Note: Familiar - Bach French Suite #6 in E, BWV817: IV. | |
109
|
Sonata #30 in E | To Maximiliane Brentano; com'd by publisher | ||
110
|
Sonata #31 in Ab | Commissioned by publisher | ||
111
|
Sonata #32 in c | To Archduke Rudolf. Com'd by publisher | ||
112
|
Meeresstille und Glückliche Fahrt", for chorus w/ orchestral accomp | |||
113
|
Die Ruinen von Athen | [Play by von Kotzebue] | ||
114
|
March w/ chorus from "Die Ruinen von Athen" | arranged for "Die Weihe des Hauses | ||
115
|
Zur Namensfeier | To Prince Radziwill | ||
116
|
Trio for soprano, tenor & bass w/ orchestral accomp "Tremate, empi, tremate" | **? Solo**? Solo | ||
117
|
König Stephan, [including overture] | Play by von Kotzebue | ||
118
|
Elegischer Gesang (Elegiac Song) | for performance 8/5/1814 | ||
119
|
11 Bagatelle in g, c, D, A, c, G, C, C, a, A, Bb | |||
120
|
33 variations over waltz by Anton Diabelli | To Antonie Brentano | ||
121 a
|
Trio for Piano, Violin & Cello #10 in G | [var.'s on "Ich bin der Schneider", by Kakadu] | ||
121 b
|
Song, "Opferlied" for soprano, chorus and orch | |||
122
|
Song, "Bundeslied" for voices w/ wind instrument accompaniment | |||
123
|
Missa Solemnis in D | |||
124
|
Die Weihe des Hauses (Consecration of the House) | |||
Symphony #9 in d (Choral Symphony) | To King Friedrich Wilhelm III of Prussia | |||
126
|
6 Bagatelle in G, g, Eb, b, G, Eb | |||
127
|
Quartet #12 E | |||
128
|
Arietta "Der Kuss" [Christian Felix Weisse-"Ich war bei Chloen ganz allein"] | First sketched 1798 | ||
129
|
Rondo a capriccio G, "Die Wut über den verlorenen Groschen" |
1795
|
[not completed] | |
130
|
Quartet #13 B | Ded to Prince Nikolas Galitzin | ||
131
|
Quartet #14 #c | Ded to Baron Joseph von Stutterheim | ||
132
|
Quartet #15 a | Ded to Prince Nikolas Galitzin. Molto Adagio "Heiliger Dankgesang" composed 5/1825 | ||
133
|
originally the finale in op.130 | |||
134
|
Pianoforte duet in Bb (Fuge for piano) | Arrangement by Beethoven of op 133 | ||
135
|
Quartet #16 F, "Serious" | After Sonata, op. 14 #1; 1st perf. 3/23/1828 [Ded to Johann Wolfmayer] [Theme of 3'd mvment orig. assoc. w/ finale of op. 131] | ||
136
|
Cantata for four solo voices, chorus and orchestra "Der glorreiche Augenblick" | |||
137
|
Fugue in D for string quintet | |||
138
|
Leonora 1 in C | |||
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